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Downloaded from
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Official YIFY movies site:
YTS.MX

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Exactly, Clara. Imagine, if I’ve come
here, it’s precisely because of that.

4
00:00:32,153 --> 00:00:35,063
I’m going back now and
I have to give a load of explanations

5
00:00:35,113 --> 00:00:36,993
and they’re going
to have to be very clear.

6
00:00:37,553 --> 00:00:38,553
Yes.

7
00:00:39,353 --> 00:00:41,103
Yes. But she didn't...

8
00:00:41,153 --> 00:00:45,463
If she said otherwise it would be
a different story, but she hasn’t.

9
00:00:45,513 --> 00:00:47,943
She hasn’t clearly stated that
she doesn’t want the position.

10
00:00:47,993 --> 00:00:50,913
She hasn’t said
"I don’t want the position."

11
00:00:51,753 --> 00:00:52,753
Sure.

12
00:00:53,153 --> 00:00:55,153
No… Yes...

13
00:00:55,393 --> 00:00:59,153
If I come all the way here it’s
not to be told no, it’s to get a yes.

14
00:00:59,513 --> 00:01:00,873
Exactly. If she...

15
00:01:01,153 --> 00:01:03,833
If she wanted to
say "no", she’d say "no".

16
00:01:04,313 --> 00:01:07,473
Well, exactly.
A silence is not a no.

17
00:01:09,113 --> 00:01:11,383
It's not a no.
Take your coffee.

18
00:01:11,433 --> 00:01:13,713
- No, I don’t want coffee.
- Take it, take your coffee.

19
00:01:15,353 --> 00:01:16,943
Clara, the situation here is very clear.

20
00:01:16,993 --> 00:01:19,823
There is a person here who
made a commitment to something.

21
00:01:19,873 --> 00:01:23,823
And I’ve made a commitment,
precisely because of her commitment. Yes?

22
00:01:23,873 --> 00:01:25,223
So, what do I do?

23
00:01:25,273 --> 00:01:28,673
I come all the way here so that that person
can do what they have to do. That’s all.

24
00:01:28,913 --> 00:01:29,913
That’s all.
No...

25
00:01:32,313 --> 00:01:34,023
But there are clues!

26
00:01:34,073 --> 00:01:38,113
There are all kinds of
clues. Like this guy’s car, yes.

27
00:01:39,473 --> 00:01:41,753
No, but I have the keys now, yes.

28
00:01:42,193 --> 00:01:43,873
No, no, he doesn’t know.

29
00:01:44,993 --> 00:01:47,953
No, he doesn’t know a thing.

30
00:01:50,113 --> 00:01:51,783
No, to be honest he looks...

31
00:01:51,833 --> 00:01:53,513
He looks pretty lost.

32
00:01:54,633 --> 00:01:56,903
And Laura…
No, it isn’t a mystery.

33
00:01:56,953 --> 00:01:58,673
Come on, let’s be logical:

34
00:01:59,033 --> 00:02:01,663
she’s indecisive, she wants the
position but I’m here in the middle.

35
00:02:01,713 --> 00:02:03,343
And for some reason...

36
00:02:03,393 --> 00:02:05,423
she doesn’t want to tell
me because I’m involved.

37
00:02:05,473 --> 00:02:08,383
So we can’t mix the
academic side with a situation…

38
00:02:08,433 --> 00:02:10,303
Wait! Wait a second!

39
00:02:10,353 --> 00:02:12,903
- I’m going to get sugar.
- We have to go to Fortín Olavarría.

40
00:02:12,953 --> 00:02:14,113
Wait for me a second, please.

41
00:02:14,393 --> 00:02:15,713
Can you wait in the car?

42
00:02:23,073 --> 00:02:25,433
Yes, here you go.
Listen…

43
00:02:26,593 --> 00:02:28,673
Clara, to be clear...

44
00:02:29,273 --> 00:02:32,553
this isn’t just a professional thing.

45
00:02:35,313 --> 00:02:36,313
Yes.

46
00:02:36,913 --> 00:02:39,313
That’s why I try not to mix things.

47
00:02:40,433 --> 00:02:42,703
You can imagine that I would be…

48
00:02:42,753 --> 00:02:44,033
Distraught.

49
00:02:47,073 --> 00:02:49,553
Well, yes, I am a little distraught.

50
00:02:52,033 --> 00:02:53,263
You know how things are.

51
00:02:53,313 --> 00:02:55,353
Academia doesn’t
prepare you for sadness.

52
00:02:57,993 --> 00:03:00,383
Well, I don’t think it’s a
good idea to stay there.

53
00:03:00,433 --> 00:03:02,793
No, don’t feel sorry for me either.

54
00:03:03,433 --> 00:03:05,583
Well, I’m very
grateful to you, Clara.

55
00:03:05,633 --> 00:03:06,583
Thank you very much.

56
00:03:06,633 --> 00:03:09,663
Let’s do that.
We’ll leave now and...

57
00:03:09,713 --> 00:03:12,273
I’ll keep you up to
speed on how it goes.

58
00:03:12,633 --> 00:03:13,703
Perfect.

59
00:03:13,753 --> 00:03:15,553
And let’s hope it will be.

60
00:03:15,913 --> 00:03:17,113
Let’s hope so.

61
00:03:18,433 --> 00:03:20,353
Let’s hope so.
OK, thanks!

62
00:03:21,553 --> 00:03:22,993
Thanks a million.
Bye.

63
00:03:23,353 --> 00:03:24,353
Bye.

64
00:03:28,713 --> 00:03:32,033
Can you believe that she
left the keys with a child?

65
00:03:32,353 --> 00:03:33,353
A child?

66
00:03:33,673 --> 00:03:37,713
A kid, a little gaucho from the area.
A child, yes.

67
00:03:37,953 --> 00:03:39,823
But the guy who called me…

68
00:03:39,873 --> 00:03:42,263
No. The service station
manager called you.

69
00:03:42,313 --> 00:03:43,913
Who’s the boy’s dad.

70
00:03:45,673 --> 00:03:46,673
Why? No.

71
00:03:47,513 --> 00:03:50,633
The service station manager
is the service station manager.

72
00:03:51,233 --> 00:03:53,263
The kid’s dad left the keys

73
00:03:53,313 --> 00:03:54,703
with the manager.

74
00:03:54,753 --> 00:03:56,593
And also left your
telephone number.

75
00:03:59,313 --> 00:04:00,593
On this piece of paper.

76
00:04:05,753 --> 00:04:08,593
I imagine you’ll
recognise the handwriting.

77
00:04:16,913 --> 00:04:18,193
Can I have that?

78
00:04:25,033 --> 00:04:28,473
I was told she might be
near Fortín Olavarría.

79
00:04:29,673 --> 00:04:30,953
Do you know anything about that?

80
00:04:40,433 --> 00:04:43,433
PART 1

81
00:06:08,193 --> 00:06:11,193
I
THE ADVENTURE

82
00:06:20,673 --> 00:06:22,473
I think we’ve gone past it.

83
00:06:23,553 --> 00:06:25,153
I know we’ve gone past it.

84
00:06:28,833 --> 00:06:32,433
- So what are we doing?
- We’re looking for her…

85
00:06:34,913 --> 00:06:37,433
They told us to look in Fortín...
So we look in Fortín.

86
00:06:40,433 --> 00:06:42,193
But like this?
In general?

87
00:06:50,273 --> 00:06:51,273
Wait here.

88
00:07:14,793 --> 00:07:16,073
Hi, good afternoon.

89
00:07:17,113 --> 00:07:18,383
How’s it going?

90
00:07:18,433 --> 00:07:20,103
Can I ask you something?

91
00:07:20,153 --> 00:07:24,553
I’m looking for a friend, who’s
probably been here the last few days…

92
00:07:25,233 --> 00:07:27,233
I wonder if you recognise her…

93
00:07:27,713 --> 00:07:28,703
Let’s see...

94
00:07:28,753 --> 00:07:31,143
Ah, wasn’t this girl
hanging around here?

95
00:07:31,193 --> 00:07:32,193
Ah, yeah?

96
00:07:32,513 --> 00:07:33,633
Maybe, but...

97
00:07:34,473 --> 00:07:35,713
Did you call there?

98
00:07:36,353 --> 00:07:39,263
I called but…
He must be taking a nap.

99
00:07:39,313 --> 00:07:41,423
- No one came out.
- No, but he must be in there.

100
00:07:41,473 --> 00:07:42,473
Yes?

101
00:07:43,873 --> 00:07:45,473
- But did you see her?
- Yes.

102
00:07:49,233 --> 00:07:50,233
Thanks.

103
00:07:53,353 --> 00:07:55,343
Hi, how are you?
How’s it going?

104
00:07:55,393 --> 00:07:56,903
- Pleased to meet you.
- Pleased to meet you too.

105
00:07:56,953 --> 00:08:00,273
Listen, I’m looking for
a friend and I’m told...

106
00:08:00,513 --> 00:08:03,033
she could have been
here, these last few days.

107
00:08:05,033 --> 00:08:08,183
She’s my girlfriend, so
careful what you say.

108
00:08:08,233 --> 00:08:12,263
No, because, you don’t normally
get many people round here.

109
00:08:12,313 --> 00:08:15,583
But she says she saw her,
and maybe you remember…

110
00:08:15,633 --> 00:08:20,103
Because the train goes by here,
and there aren’t many folk about…

111
00:08:20,153 --> 00:08:22,023
Now and again, and the weekend…

112
00:08:22,073 --> 00:08:24,233
You know where you can search?

113
00:08:24,473 --> 00:08:25,993
She's very similar...

114
00:08:37,593 --> 00:08:39,793
Laura clearly was in the village.

115
00:08:40,353 --> 00:08:42,023
- The lady saws she saw her.
- She saw her?

116
00:08:42,073 --> 00:08:43,783
Yes. I showed her the photo…

117
00:08:43,833 --> 00:08:44,993
She says that...

118
00:08:45,233 --> 00:08:47,183
last week or the one before...

119
00:08:47,233 --> 00:08:49,953
a girl was wandering about
all afternoon.

120
00:08:50,233 --> 00:08:53,913
These are things that
people notice more in small towns.

121
00:09:04,233 --> 00:09:05,873
Do you have anything to say?

122
00:09:06,553 --> 00:09:07,553
Like what?

123
00:09:08,073 --> 00:09:10,073
I don’t know.
Anything I should know.

124
00:09:10,993 --> 00:09:11,993
I don’t think so.

125
00:09:15,553 --> 00:09:17,233
Let’s go to Puricelli’s.

126
00:09:18,033 --> 00:09:19,393
Who is Puricelli?

127
00:09:20,033 --> 00:09:22,913
He’s a guy with a general store.
And he rents rooms.

128
00:09:25,073 --> 00:09:27,823
"That’s where all the
out-of-towners go," the lady said.

129
00:09:27,873 --> 00:09:29,743
She said "out-of towners"?
She used that word?

130
00:09:29,793 --> 00:09:31,153
"Out-of-towners" she said, yes.

131
00:09:32,033 --> 00:09:33,713
Laura, an out-of-towner.

132
00:09:45,473 --> 00:09:47,273
Did she talk to you about the position?

133
00:09:48,193 --> 00:09:49,193
No.

134
00:09:55,353 --> 00:09:57,473
She never said anything
about the position?

135
00:09:59,553 --> 00:10:00,913
I don’t think so.

136
00:10:03,033 --> 00:10:05,233
But you worked with
her at the council.

137
00:10:06,193 --> 00:10:07,193
No.

138
00:10:08,673 --> 00:10:10,913
Ah, on the phone you said you did.

139
00:10:11,393 --> 00:10:14,343
I said I work for the Council
but I don’t work with Laura.

140
00:10:14,393 --> 00:10:16,033
I work in another department.

141
00:10:21,433 --> 00:10:22,713
What department?

142
00:10:23,033 --> 00:10:24,033
Transport.

143
00:10:25,113 --> 00:10:26,113
Transport?

144
00:10:27,753 --> 00:10:29,433
Transport of materials.

145
00:10:36,753 --> 00:10:38,353
You transport stuff?

146
00:10:39,713 --> 00:10:40,713
Yes.

147
00:10:46,513 --> 00:10:48,993
And how do you know Laura
if you transport stuff?

148
00:10:50,073 --> 00:10:52,943
Sometimes we were sent together
to 30 de Agosto...

149
00:10:52,993 --> 00:10:55,713
to La Indiana, or the
fields where she worked.

150
00:11:02,393 --> 00:11:04,073
So you transported her?

151
00:11:08,033 --> 00:11:09,233
Sometimes, yes.

152
00:11:23,593 --> 00:11:24,673
Hang on, wait here.

153
00:11:35,433 --> 00:11:36,583
- How’s it going?
- Hello.

154
00:11:36,633 --> 00:11:38,833
Hi, good afternoon.
How are you doing?

155
00:11:39,233 --> 00:11:41,233
- Rafael, pleased to meet you.
- Daniel.

156
00:11:41,553 --> 00:11:44,193
Listen Daniel,
I'm looking for a friend...

157
00:11:44,473 --> 00:11:47,073
from Buenos Aires.
She might have come here to make a call.

158
00:11:47,753 --> 00:11:49,793
I have a picture here.
Let me know if...

159
00:11:50,073 --> 00:11:51,233
if you saw her around.

160
00:11:52,393 --> 00:11:54,063
No, I haven't seen her around here.

161
00:11:54,113 --> 00:11:56,673
She's been trying to communicate,
but we don't know where...

162
00:11:57,593 --> 00:11:58,993
Where should I keep asking?

163
00:11:59,233 --> 00:12:02,263
Maybe in the next
general store, near by.

164
00:12:02,313 --> 00:12:04,623
- But everything's closed.
- No, not here.

165
00:12:04,673 --> 00:12:06,063
On the road.

166
00:12:06,113 --> 00:12:08,433
OK. Where should I make a turn?

167
00:12:09,153 --> 00:12:12,273
Take a left here, and from there...

168
00:12:57,873 --> 00:12:59,023
Let's go.

169
00:12:59,073 --> 00:13:00,673
We have to go to another
general store.

170
00:13:13,913 --> 00:13:17,393
And we should start worrying
if we find something odd on the way there.

171
00:13:18,913 --> 00:13:21,233
Sure.
I'll keep you up to speed.

172
00:13:21,713 --> 00:13:23,103
Yes. OK, listen.

173
00:13:23,153 --> 00:13:26,873
Send kisses to all the boys
and girls from the Academia.

174
00:14:13,753 --> 00:14:15,273
We’re going to have to wait.

175
00:15:43,433 --> 00:15:45,233
Hi. Good afternoon.

176
00:15:46,433 --> 00:15:50,473
How’s it going?
My name is Rafael. How are you?

177
00:15:51,273 --> 00:15:53,753
Listen, I’m looking for a friend.

178
00:15:54,353 --> 00:15:55,903
A girl...

179
00:15:55,953 --> 00:16:00,753
She’s my girlfriend, actually.
We think she might have been here.

180
00:16:01,153 --> 00:16:02,833
Do you recognise her?

181
00:16:03,273 --> 00:16:04,423
Because she’s…

182
00:16:04,473 --> 00:16:07,303
She works in the
classification of plants, flowers…

183
00:16:07,353 --> 00:16:09,023
Ah, yes.

184
00:16:09,073 --> 00:16:12,793
There's a man in América who has...

185
00:16:13,073 --> 00:16:14,953
an orchid plantation.

186
00:16:16,473 --> 00:16:17,583
- Orchids?
- Orchids.

187
00:16:17,633 --> 00:16:20,033
- What's this man's name?
- Abrante.

188
00:16:20,833 --> 00:16:22,593
Give me a moment, please.
I'll take note...

189
00:16:23,353 --> 00:16:24,353
Abrante.

190
00:16:25,513 --> 00:16:27,233
And this is in América, no?

191
00:16:28,513 --> 00:16:31,513
FAREWELL, FAREWELL,
I’M GOING AWAY.

192
00:16:47,353 --> 00:16:49,033
We have to go to América.

193
00:16:50,073 --> 00:16:51,913
We have to go and see
a man called Abrante.

194
00:16:53,113 --> 00:16:54,863
It appears that Laura was here...

195
00:16:54,913 --> 00:16:57,873
it looks like they told her about
him and I’m sure she went to see him.

196
00:16:59,473 --> 00:17:01,343
With all the
information I’ve got…

197
00:17:01,393 --> 00:17:03,313
I can’t help but think
about something.

198
00:17:05,953 --> 00:17:07,953
Abrante is an orchid producer.

199
00:17:09,753 --> 00:17:11,433
Abrante lives in América.

200
00:17:13,473 --> 00:17:16,953
In América is the mark
of the one remaining species.

201
00:17:19,193 --> 00:17:20,193
Look...

202
00:17:27,953 --> 00:17:28,953
You see?

203
00:17:29,753 --> 00:17:31,783
Laura still had one species unclassified.

204
00:17:31,833 --> 00:17:32,833
PENDING.

205
00:17:34,953 --> 00:17:35,953
"Pending."

206
00:17:40,753 --> 00:17:42,113
Here’s the thing:

207
00:17:43,273 --> 00:17:46,473
Laura committed
herself to finishing a job.

208
00:17:47,993 --> 00:17:50,343
And that’s exactly what she’s doing.

209
00:17:50,393 --> 00:17:53,833
No more, no less.
Just finishing a job.

210
00:17:56,673 --> 00:18:00,433
She went to América looking for
a species she still has to classify…

211
00:18:01,113 --> 00:18:03,033
Who knows why the hell…

212
00:18:07,033 --> 00:18:08,233
It all adds up.

213
00:18:11,553 --> 00:18:12,913
She’s gone crazy.

214
00:18:14,993 --> 00:18:17,473
Well, like so many others went crazy:

215
00:18:18,233 --> 00:18:22,793
Sinclair, Treviso, Paillán…
Franco Vidal himself.

216
00:18:23,593 --> 00:18:24,593
You see?

217
00:18:25,393 --> 00:18:28,023
They all went after a species
that they hadn’t yet classified

218
00:18:28,073 --> 00:18:31,233
and threw their lives
away looking for it.

219
00:18:33,193 --> 00:18:34,313
You follow me?

220
00:18:36,833 --> 00:18:38,153
Yeah, more or less.

221
00:18:41,913 --> 00:18:44,033
We have to go to
América to see Abrante.

222
00:18:44,953 --> 00:18:46,393
That’s the answer.

223
00:18:53,553 --> 00:18:55,233
Yeah, the thing is...

224
00:18:55,553 --> 00:18:56,983
I really…

225
00:18:57,033 --> 00:18:59,073
We can’t pass up this opportunity.

226
00:18:59,313 --> 00:19:00,513
Laura is lost.

227
00:19:00,953 --> 00:19:02,633
Her family are worried.

228
00:19:03,193 --> 00:19:06,113
She’s destroying my career.
She stole your car.

229
00:19:06,673 --> 00:19:09,593
I know one version of Laura...

230
00:19:10,353 --> 00:19:11,913
and you know another.

231
00:19:12,993 --> 00:19:16,873
There’s no one but us two
looking for her.

232
00:19:17,593 --> 00:19:18,593
You see?

233
00:19:26,273 --> 00:19:28,903
No, you know, like I said...

234
00:19:28,953 --> 00:19:31,983
I know, I know.
Yes.

235
00:19:32,033 --> 00:19:34,023
It’s complicated with
the kids, or with your ex.

236
00:19:34,073 --> 00:19:36,193
But OK, we’ll work it out.

237
00:19:37,073 --> 00:19:39,943
- Now on the way we’ll call…
- Viviana.

238
00:19:39,993 --> 00:19:42,353
Viviana and we’ll explain
to her more or less.

239
00:19:43,873 --> 00:19:44,873
Yes?

240
00:19:45,273 --> 00:19:49,113
I’m going to use the phone that this
Nereo told me he thinks he can get.

241
00:19:50,393 --> 00:19:52,073
And I’m going to go to the toilet.

242
00:19:52,833 --> 00:19:54,103
You should go too.

243
00:19:54,153 --> 00:19:56,033
We’ve got about 25 miles.

244
00:20:09,593 --> 00:20:12,593
II
EZEQUIEL'S PART

245
00:20:55,433 --> 00:20:59,753
<i>God, or bad luck,</i>
<i>punishes him by blinding him.</i>

246
00:21:00,193 --> 00:21:03,743
<i>Hence the expression ‘Peeping Tom’...</i>

247
00:21:03,793 --> 00:21:05,903
<i>which is what they</i>
<i>call voyeurs in English.</i>

248
00:21:05,953 --> 00:21:07,383
<i>Right, voyeurs...</i>

249
00:21:07,433 --> 00:21:09,753
<i>There are a lot of</i>
<i>Peeping Toms in this studio...</i>

250
00:21:10,633 --> 00:21:11,793
<i>Look at Rodro…</i>

251
00:21:12,793 --> 00:21:15,473
<i>They’re all wild with excitement</i>
<i>about Lady Godeeva.</i>

252
00:21:16,353 --> 00:21:21,263
<i>Thank you one again, Laura,</i>
<i>for the section Women Who Made History.</i>

253
00:21:21,313 --> 00:21:22,303
<i>Thank you very much.</i>

254
00:21:22,353 --> 00:21:24,543
<i>And we are still here in</i>
<i>A Sea of News...</i>

255
00:21:24,593 --> 00:21:26,433
<i>with Patita's humour and...</i>

256
00:21:27,033 --> 00:21:28,033
<i>much more news.</i>

257
00:21:28,353 --> 00:21:30,103
<i>Radio is a blind media...</i>

258
00:21:30,153 --> 00:21:31,713
<i>Until you watch with your ears.</i>

259
00:21:32,193 --> 00:21:34,193
<i>The Station Broadcast.</i>
<i>Unique.</i>

260
00:21:34,593 --> 00:21:35,593
<i>Just like you.</i>

261
00:21:35,833 --> 00:21:39,743
<i>LU 11 invites you</i>
<i>to the first Journey to Italy Contest,</i>

262
00:21:39,793 --> 00:21:44,153
<i>coordinated with</i>
<i>the Trenque Lauquen Culture House.</i>

263
00:21:44,473 --> 00:21:47,463
<i>Now, you too can change</i>
<i>the course of history.</i>

264
00:21:47,513 --> 00:21:49,823
<i>Because traveling is for everyone.</i>

265
00:21:49,873 --> 00:21:50,873
Hello.

266
00:21:52,193 --> 00:21:53,343
Very good, I was listening.

267
00:21:53,393 --> 00:21:54,423
Did you like it?

268
00:21:54,473 --> 00:21:55,663
Yes, I didn’t know the story.

269
00:21:55,713 --> 00:21:57,223
It’s fun, isn’t it?

270
00:21:57,273 --> 00:21:58,353
Very good.

271
00:22:01,273 --> 00:22:02,663
Do you have a
map or coordinates?

272
00:22:02,713 --> 00:22:05,543
No, but we’re going to
La Indiana, close to 30 de Agosto.

273
00:22:05,593 --> 00:22:06,593
OK.

274
00:22:07,513 --> 00:22:08,513
What is it?

275
00:22:09,113 --> 00:22:10,423
The farm close to La Querencia?

276
00:22:10,473 --> 00:22:12,193
Right. On the way
to La Querencia.

277
00:22:16,073 --> 00:22:17,113
La Querencia first?

278
00:22:18,313 --> 00:22:19,313
You think?

279
00:22:20,033 --> 00:22:21,033
OK.

280
00:23:22,593 --> 00:23:25,503
<i>It seems like today</i>
<i>we are on the subjects of nudes…</i>

281
00:23:25,553 --> 00:23:27,623
<i>- Who is Anita Ekberg?</i>
<i>- La Dolce Vita!</i>

282
00:23:27,673 --> 00:23:29,423
<i>Don´t you remember that</i>
<i>emblematic scene</i>

283
00:23:29,473 --> 00:23:32,503
<i>of her bathing almost naked</i>
<i>in the Fontana di Trevi?</i>

284
00:23:32,553 --> 00:23:35,553
<i>- Just like Lady Godeeva! Naked!</i>
<i>- Exactly.</i>

285
00:23:36,913 --> 00:23:41,543
<i>Well, then, if the listeners</i>
<i>want to participate in the contest...</i>

286
00:23:41,593 --> 00:23:43,663
Is it true that she rode
naked on horseback?

287
00:23:43,713 --> 00:23:44,713
Truly naked?

288
00:23:45,353 --> 00:23:46,473
Looks like it.

289
00:23:50,233 --> 00:23:51,713
Must be uncomfortable.

290
00:23:56,673 --> 00:23:58,593
Yeah. It really must.
I don’t want to imagine.

291
00:24:04,273 --> 00:24:05,943
And the guy was crazy…

292
00:24:05,993 --> 00:24:07,913
Forcing your wife to do that…

293
00:24:09,393 --> 00:24:11,993
No, no. Technically
he didn’t make her.

294
00:24:12,553 --> 00:24:13,783
You reckon it was a game?

295
00:24:13,833 --> 00:24:14,943
No, no. What game?

296
00:24:14,993 --> 00:24:17,473
She did it so that
he’d lower the taxes.

297
00:24:23,833 --> 00:24:24,833
What?

298
00:24:26,673 --> 00:24:28,633
I reckon it was an erotic
game between them.

299
00:24:32,273 --> 00:24:35,833
No. The legend says that she
sacrificed herself for the people…

300
00:24:36,593 --> 00:24:38,233
I reckon it was a
game between them.

301
00:24:38,953 --> 00:24:42,263
He loved the idea of his
wife stark naked on a horse.

302
00:24:42,313 --> 00:24:43,633
He had that fantasy.

303
00:24:45,313 --> 00:24:46,633
Nonsense.

304
00:24:48,993 --> 00:24:50,913
She was into it.
They were both kinky.

305
00:24:59,193 --> 00:25:01,993
I think it’s you whose
making an erotic novel out of it.

306
00:25:04,553 --> 00:25:05,873
I think it’s obvious.

307
00:25:21,553 --> 00:25:23,513
Well, at least he lowered the taxes.

308
00:25:33,633 --> 00:25:34,793
Is that your boyfriend?

309
00:25:35,953 --> 00:25:36,953
Your mum?

310
00:25:37,353 --> 00:25:39,353
No. My boyfriend.
I’ll call him later.

311
00:25:40,033 --> 00:25:41,033
OK.

312
00:25:51,273 --> 00:25:52,673
He must be missing you, no?

313
00:25:53,273 --> 00:25:55,503
Yes. We’re building
a house together...

314
00:25:55,553 --> 00:25:58,233
so he calls me a lot.
There are lots of things to decide on.

315
00:26:00,193 --> 00:26:02,463
Actually we’re renovating a
house that was my boyfriend’s

316
00:26:02,513 --> 00:26:03,913
and now it’s going to be our house.

317
00:26:04,513 --> 00:26:06,513
- And it needs everything doing.
- Right.

318
00:26:09,113 --> 00:26:10,473
Doors, windows…

319
00:26:11,633 --> 00:26:15,233
Yes. The colour of the wall
in the bedroom. Everything...

320
00:26:15,713 --> 00:26:17,583
Yes, I know what you mean.

321
00:26:17,633 --> 00:26:20,273
I mean…
You go home and you get married.

322
00:26:21,233 --> 00:26:24,033
Yes. We’re moving
in together, let’s say…

323
00:26:26,073 --> 00:26:27,553
RAFA

324
00:26:33,633 --> 00:26:34,863
Sorry, I have to get that.

325
00:26:34,913 --> 00:26:36,183
Yes, sure..
Take your time.

326
00:26:36,233 --> 00:26:37,303
Hello?

327
00:26:37,353 --> 00:26:38,713
Yes, I was having lunch.

328
00:26:39,353 --> 00:26:41,233
Go on, tell me!

329
00:26:41,553 --> 00:26:42,553
Tell me!

330
00:27:06,753 --> 00:27:07,753
There he is.

331
00:27:08,993 --> 00:27:10,753
- Hi, Hugo.
- Hi, Laura.

332
00:27:11,073 --> 00:27:13,223
- How are you?
- Fine, you?

333
00:27:13,273 --> 00:27:14,423
How are you doing, Chicho?

334
00:27:14,473 --> 00:27:16,433
Afternoon!
How’s it going, Hugo?

335
00:27:16,833 --> 00:27:18,183
All good. Here we are.

336
00:27:18,233 --> 00:27:20,183
I came here looking
for this one I had left.

337
00:27:20,233 --> 00:27:22,233
I came to do a last search but…

338
00:27:22,953 --> 00:27:26,063
You know, I'm still missing the one
that looked like Like Symplocos Uniflora.

339
00:27:26,113 --> 00:27:27,263
Look.

340
00:27:27,313 --> 00:27:29,223
I was saying to Hugo
that it could be in the…

341
00:27:29,273 --> 00:27:32,033
Behind la Ollita or in el Molino.

342
00:27:32,793 --> 00:27:35,903
Ah, yes, I know the place.
Those could be good places.

343
00:27:35,953 --> 00:27:38,663
Yes, because we’ve already
looked in the bush and nothing.

344
00:27:38,713 --> 00:27:41,153
- Coming, Chicho?
- No, I'm staying. Do your thing.

345
00:27:47,673 --> 00:27:49,753
We found some other
things but not that one.

346
00:27:52,033 --> 00:27:53,633
It’s playing hard to get.

347
00:27:56,793 --> 00:27:59,073
Well, you have one left.

348
00:27:59,593 --> 00:28:01,153
- That’s not so bad, is it?
- No...

349
00:28:05,633 --> 00:28:07,303
Are you busy this afternoon?

350
00:28:07,353 --> 00:28:08,433
What do you need?

351
00:28:09,513 --> 00:28:10,953
Go and see a farm.

352
00:28:11,393 --> 00:28:13,193
- Where?
- On route 33.

353
00:28:13,873 --> 00:28:15,073
I’ve got a map.

354
00:28:16,193 --> 00:28:19,143
An old estate. Martín Fierro,
it’s called. Have you heard of it?

355
00:28:19,193 --> 00:28:20,193
I think so.

356
00:28:22,113 --> 00:28:23,953
I think I can find this there.

357
00:28:24,353 --> 00:28:25,543
OK, let’s go.

358
00:28:25,593 --> 00:28:27,343
The only thing is
I have to pick up the kids.

359
00:28:27,393 --> 00:28:28,753
Do you mind going with them?

360
00:28:47,273 --> 00:28:49,753
- We found it!
- Let's see.

361
00:28:54,473 --> 00:28:57,753
It was there on the old map,
but not in this one.

362
00:29:03,793 --> 00:29:06,433
No, dad!
It's in the other direction!

363
00:29:06,873 --> 00:29:07,823
Quit it!

364
00:29:07,873 --> 00:29:11,143
But we are telling you:
it's in the other direction!

365
00:29:11,193 --> 00:29:12,273
Quit it!

366
00:29:22,713 --> 00:29:24,103
No! No!

367
00:29:24,153 --> 00:29:25,233
Sit down.

368
00:29:25,873 --> 00:29:27,303
Sit down, I said!

369
00:29:27,353 --> 00:29:28,433
- No!
- Sit here.

370
00:29:32,953 --> 00:29:35,313
I think the Martin Fierro Estate
is right there.

371
00:29:42,193 --> 00:29:44,233
There. It’s that little house.

372
00:29:46,513 --> 00:29:47,633
Is that it?

373
00:29:48,393 --> 00:29:49,393
I think so, yes.

374
00:29:51,233 --> 00:29:52,873
This estate burned down.

375
00:30:02,593 --> 00:30:05,473
They must have got it
wrong at the Council…

376
00:30:06,073 --> 00:30:08,583
This estate burned down,
you are right.

377
00:30:08,633 --> 00:30:09,633
Yes.

378
00:30:11,073 --> 00:30:12,073
It burned down.

379
00:30:15,313 --> 00:30:18,103
Maybe they meant
the village of Martín Fierro...

380
00:30:18,153 --> 00:30:20,153
No, "Martin Fierro Estate"...

381
00:30:55,033 --> 00:30:56,263
Sorry. Were you with the kids?

382
00:30:56,313 --> 00:30:58,473
- No, they’re with their mum.
- Ah, OK.

383
00:31:17,233 --> 00:31:18,593
Here’s the thing.

384
00:31:19,953 --> 00:31:21,313
I’ve made a discovery.

385
00:31:23,993 --> 00:31:25,233
It’s silly, but...

386
00:31:26,153 --> 00:31:27,953
But I wanted to know
what you thought.

387
00:31:28,713 --> 00:31:29,713
Sure.

388
00:31:30,633 --> 00:31:31,983
You might not
even be interested.

389
00:31:32,033 --> 00:31:33,343
No, I’m sure I’ll be interested.

390
00:31:33,393 --> 00:31:35,953
- Is it something to do with flowers?
- No. It's something else.

391
00:31:37,833 --> 00:31:39,313
I feel like a mad woman.

392
00:31:44,513 --> 00:31:45,513
Look.

393
00:31:46,713 --> 00:31:47,753
I found this.

394
00:31:49,113 --> 00:31:50,113
Letters.

395
00:31:50,873 --> 00:31:52,473
Exactly. Letters.

396
00:31:55,113 --> 00:31:59,353
I think I’ve become the only
witness of a little mystery…

397
00:32:00,753 --> 00:32:01,753
Crikey.

398
00:32:01,993 --> 00:32:02,993
Yes.

399
00:32:03,633 --> 00:32:05,903
I feel like nobody else
knows this. Just me.

400
00:32:05,953 --> 00:32:07,743
Well. Now you as well...

401
00:32:07,793 --> 00:32:08,833
OK.

402
00:32:11,273 --> 00:32:13,713
Did you find them
at the hotel or what?

403
00:32:14,233 --> 00:32:15,833
No. Hang on.
Let me explain.

404
00:32:17,273 --> 00:32:21,513
I usually go to the library to look for
material for the radio, for my guest slot.

405
00:32:21,833 --> 00:32:23,503
- Usually the librarian…
- Susi.

406
00:32:23,553 --> 00:32:26,553
III
THE LETTERS AND THE BOOKS

407
00:32:28,433 --> 00:32:31,103
Susi! Is there a section on
women in science?

408
00:32:31,153 --> 00:32:32,543
Any fascicles?

409
00:32:32,593 --> 00:32:34,433
- Women scientists?
- Yes.

410
00:32:35,233 --> 00:32:37,383
There are some things
on scientists here.

411
00:32:37,433 --> 00:32:38,913
But women scientists…

412
00:32:39,953 --> 00:32:42,183
I don’t know if there’s
anything. If it even exists.

413
00:32:42,233 --> 00:32:43,743
Women scientists?

414
00:32:43,793 --> 00:32:46,513
Right. Scientists, yes.
But women scientists…

415
00:32:46,873 --> 00:32:48,673
who discovered something...

416
00:32:50,393 --> 00:32:51,433
Marie Curie.

417
00:32:53,113 --> 00:32:55,103
- And the monkey woman?
- Who’s that?

418
00:32:55,153 --> 00:32:57,463
The one who writes about the
chimpanzees. She's very good.

419
00:32:57,513 --> 00:32:58,823
Ah, let me see.

420
00:32:58,873 --> 00:33:00,743
She must be a scientist…

421
00:33:00,793 --> 00:33:03,743
Look, "devoted to science and
guided

422
00:33:03,793 --> 00:33:05,753
by empirical facts of reality."

423
00:33:06,513 --> 00:33:08,273
- She’s like a scientist.
- Yes.

424
00:33:08,633 --> 00:33:10,703
<i>But lately</i>
<i>she hasn’t been finding so much.</i>

425
00:33:10,753 --> 00:33:11,983
<i>Different tastes.</i>

426
00:33:12,033 --> 00:33:14,463
<i>She says things like</i>
<i>Mercedes Sosa, or local things...</i>

427
00:33:14,513 --> 00:33:17,713
<i>I’m looking for, you know,</i>
<i>more universal things, scientists…</i>

428
00:33:18,153 --> 00:33:19,503
<i>Or things that are more unheard of,</i>

429
00:33:19,553 --> 00:33:22,863
<i>like Pope Joan, the Queen of Sheba,</i>
<i>Mata Hari…</i>

430
00:33:22,913 --> 00:33:25,473
<i>- Mata Hari’s very good.</i>
<i>- Yes, Mata Hari’s very good.</i>

431
00:33:26,113 --> 00:33:28,463
And the local ones...

432
00:33:28,513 --> 00:33:31,633
Alfonsina Storni, Evita, Mercedes Sosa…

433
00:33:32,473 --> 00:33:34,313
Shall I get you
the biographies that we have?

434
00:33:34,713 --> 00:33:36,103
- OK.
- Pepe!

435
00:33:36,153 --> 00:33:37,193
We’ve got some.

436
00:33:37,553 --> 00:33:40,143
If you like I can set them
apart. You can then check them.

437
00:33:40,193 --> 00:33:41,503
If it helps, you keep it...

438
00:33:41,553 --> 00:33:42,783
<i>One day Susi got together</i>

439
00:33:42,833 --> 00:33:45,273
<i>all the biographies of women</i>
<i>that there were in the library.</i>

440
00:33:45,993 --> 00:33:47,233
<i>I took them to the hotel.</i>

441
00:33:47,553 --> 00:33:49,983
<i>I started to read.</i>
<i>Nothing convinced me very much…</i>

442
00:33:50,033 --> 00:33:52,073
<i>until I came across</i>
<i>the Russian woman.</i>

443
00:34:26,193 --> 00:34:28,143
<i>A woman called Alexandra Kollontai.</i>

444
00:34:28,193 --> 00:34:32,503
<i>And the book was called "Autobiography</i>
<i>of a Sexually Emancipated Woman".</i>

445
00:34:32,553 --> 00:34:34,943
- What’s the book about?
- It’s an autobiography...

446
00:34:34,993 --> 00:34:37,313
- Of a sexually emancipated woman…
- Right.

447
00:34:38,353 --> 00:34:40,983
Anyway, I thought it would
be good to do the guest slot

448
00:34:41,033 --> 00:34:42,913
and also I really liked how she wrote.

449
00:34:43,353 --> 00:34:44,423
Right.

450
00:34:44,473 --> 00:34:46,993
What most caught my attention
was one aspect of the edition:

451
00:34:47,273 --> 00:34:49,823
every time Kollontai referred
to a personal achievement...

452
00:34:49,873 --> 00:34:51,823
there was a footnote by the editor

453
00:34:51,873 --> 00:34:55,143
saying that Kollontai at the
last minute had asked to turn

454
00:34:55,193 --> 00:34:58,513
the first personal singular
into the first person plural.

455
00:34:59,393 --> 00:35:04,033
That is, every time the "I"
had to be replaced with "We".

456
00:35:05,153 --> 00:35:07,223
Sorry. What was that again?

457
00:35:07,273 --> 00:35:10,073
- The "I" had to be replaced by "we".
- Ah, OK.

458
00:35:37,033 --> 00:35:39,383
<i>The funny thing is that</i>
<i>I then came across the notes</i>

459
00:35:39,433 --> 00:35:42,223
<i>that someone</i>
<i>who had also read the book had made</i>

460
00:35:42,273 --> 00:35:45,313
<i>and they were surprised at this</i>
<i>same aspect of the edition as I was.</i>

461
00:35:45,713 --> 00:35:47,423
<i>That thing of changing "I" to "We."</i>

462
00:35:47,473 --> 00:35:48,503
<i>That interested me:</i>

463
00:35:48,553 --> 00:35:51,743
<i>someone had read the book</i>
<i>and agreed with me.</i>

464
00:35:51,793 --> 00:35:53,983
<i>Maybe at another time, in another place.</i>

465
00:35:54,033 --> 00:35:55,313
...BY US...

466
00:35:56,793 --> 00:35:58,783
You lost me a bit with that last bit…

467
00:35:58,833 --> 00:36:00,503
No, don’t worry.
That doesn’t matter.

468
00:36:00,553 --> 00:36:04,503
The thing is that
we had both been struck by the same thing.

469
00:36:04,553 --> 00:36:05,543
Both?

470
00:36:05,593 --> 00:36:07,553
Yes, the two of us.
Hang on...

471
00:36:08,553 --> 00:36:10,383
AUTOBIOGRAPHY OF A
SEXUALLY EMANCIPATED WOMAN.

472
00:36:10,433 --> 00:36:13,743
<i>At the start of the book there was</i>
<i>a stamp that said "Martín Fierro Estate".</i>

473
00:36:13,793 --> 00:36:16,183
<i>And under that a note that said:</i>

474
00:36:16,233 --> 00:36:20,423
<i>"Carmen Zuna, read for the</i>
<i>first time in September 1962".</i>

475
00:36:20,473 --> 00:36:22,103
<i>The ink from this Carmen Zuna</i>

476
00:36:22,153 --> 00:36:24,223
<i>seemed to be the same ink</i>
<i>from the underlining</i>

477
00:36:24,273 --> 00:36:25,953
<i>that I found throughout the book.</i>

478
00:36:28,193 --> 00:36:29,673
Martín Fierro Estate…

479
00:36:30,793 --> 00:36:32,393
Yes. I lied to you.

480
00:36:33,513 --> 00:36:36,073
It wasn’t for work.
It was espionage.

481
00:36:37,993 --> 00:36:38,993
OK.

482
00:36:40,033 --> 00:36:44,033
So this book belonged
to this Zuma...

483
00:36:44,273 --> 00:36:45,223
- Zuna.
- Zuna.

484
00:36:45,273 --> 00:36:47,743
Yes, but anyway.
That isn’t important all the same.

485
00:36:47,793 --> 00:36:49,553
When I got half way through the book...

486
00:36:49,833 --> 00:36:52,833
<i>I found that the pages</i>
<i>jumped from 45 to 50.</i>

487
00:36:53,713 --> 00:36:55,623
<i>And then I realised</i>
<i>that between those pages</i>

488
00:36:55,673 --> 00:36:57,593
<i>that were stuck together</i>
<i>intentionally...</i>

489
00:36:57,873 --> 00:36:59,073
<i>there was something.</i>

490
00:37:45,193 --> 00:37:46,193
A letter.

491
00:37:49,153 --> 00:37:50,873
A love letter.

492
00:37:52,633 --> 00:37:53,633
Yes...

493
00:37:54,833 --> 00:37:55,833
Yes.

494
00:37:56,433 --> 00:37:58,583
The letter was addressed to her.

495
00:37:58,633 --> 00:37:59,913
To Carmen Zuna.

496
00:38:03,153 --> 00:38:05,143
That was the first letter I found.

497
00:38:05,193 --> 00:38:06,433
And then I realised...

498
00:38:06,873 --> 00:38:08,663
that it wasn't the first
letter between them.

499
00:38:08,713 --> 00:38:12,103
That it was part of a correspondence
that had started earlier…

500
00:38:12,153 --> 00:38:15,343
The letter I found is dated 1962

501
00:38:15,393 --> 00:38:17,423
and signed by someone
called Paolo Bertino.

502
00:38:17,473 --> 00:38:20,033
- Paolo Bertino…
- Yes, Paolo Bertino.

503
00:38:20,433 --> 00:38:22,823
The Bertinos are Italian,
they had land here.

504
00:38:22,873 --> 00:38:23,873
Exactly.

505
00:38:24,513 --> 00:38:26,103
In fact,
I think there are some left.

506
00:38:26,153 --> 00:38:27,463
Yes, yes. A few.

507
00:38:27,513 --> 00:38:29,783
And what were the letters about?

508
00:38:29,833 --> 00:38:31,223
I’ll tell you later.

509
00:38:31,273 --> 00:38:32,713
But were they love letters?

510
00:38:33,353 --> 00:38:36,023
Yes, yes. Well...

511
00:38:36,073 --> 00:38:39,033
The thing is that this is
where the bees come into it.

512
00:38:39,353 --> 00:38:40,753
The book about bees.

513
00:38:41,513 --> 00:38:44,703
The letter ended with a
promise to send a new book

514
00:38:44,753 --> 00:38:47,063
in which another letter
was going to be hidden.

515
00:38:47,113 --> 00:38:49,583
And it referred to the
"universe of the bees."

516
00:38:49,633 --> 00:38:52,343
There I figured out that
this whole correspondence...

517
00:38:52,393 --> 00:38:54,063
all the letters from
Paolo and Carmen...

518
00:38:54,113 --> 00:38:55,943
could be among
the thousands of books

519
00:38:55,993 --> 00:38:57,823
in Trenque Lauquen Library.

520
00:38:57,873 --> 00:38:59,383
But I only had to find them.

521
00:38:59,433 --> 00:39:01,953
And to do that I had
something, I had a clue:

522
00:39:02,273 --> 00:39:04,033
<i>The clue that</i>
<i>the same letter was giving me.</i>

523
00:39:04,273 --> 00:39:05,273
<i>Do you see?</i>

524
00:39:06,033 --> 00:39:07,463
<i>I think so.</i>
<i>The clue was the bees.</i>

525
00:39:07,513 --> 00:39:08,713
<i>Exactly!</i>

526
00:39:27,713 --> 00:39:28,833
Check.

527
00:39:35,233 --> 00:39:36,233
Check.

528
00:39:39,273 --> 00:39:40,273
Check.

529
00:39:42,593 --> 00:39:43,593
Check.

530
00:39:45,673 --> 00:39:47,503
Check.
"Autobiography of a woman"…

531
00:39:47,553 --> 00:39:49,183
No, I’m keeping that one.

532
00:39:49,233 --> 00:39:51,783
Kollontai, not here.

533
00:39:51,833 --> 00:39:53,873
Susi, can I ask you a question?

534
00:39:54,513 --> 00:39:58,713
Is there a record of donations?
Does that appear anywhere?

535
00:40:00,073 --> 00:40:02,953
Hang on a second
because this is… I get lost.

536
00:40:03,553 --> 00:40:05,143
What is it you want?

537
00:40:05,193 --> 00:40:07,073
I want to know something,
about a collection…

538
00:40:07,513 --> 00:40:09,313
- Which?
- Martín Fierro.

539
00:40:10,993 --> 00:40:12,703
- Martín Fierro Estate?
- Yes.

540
00:40:12,753 --> 00:40:14,393
That’s an enormous collection.

541
00:40:16,273 --> 00:40:19,633
Now, as for women and women
scientists and all that, forget it…

542
00:40:19,953 --> 00:40:20,983
No, no…
It’s not that.

543
00:40:21,033 --> 00:40:23,703
It’s because I was intrigued
because I found a stamp that…

544
00:40:23,753 --> 00:40:24,783
OK, hang on a second.

545
00:40:24,833 --> 00:40:25,943
<i>I went back to the library.</i>

546
00:40:25,993 --> 00:40:29,583
<i>I asked Susi to let me see the whole record</i>
<i>of donations that were in the library.</i>

547
00:40:29,633 --> 00:40:31,553
Could we see the records of donations?

548
00:40:32,393 --> 00:40:33,383
OK.

549
00:40:33,433 --> 00:40:35,833
Is the ladder safe?
I mean, it won't kill us…

550
00:40:38,913 --> 00:40:39,913
OK, we’re coming now.

551
00:40:41,033 --> 00:40:42,073
Come with me.

552
00:40:59,753 --> 00:41:03,633
<i>Among the thousands of cards,</i>
<i>I found a Martín Fierro Estate collection.</i>

553
00:41:04,033 --> 00:41:05,623
<i>And then I started to look to see</i>

554
00:41:05,673 --> 00:41:08,153
<i>if there was something to do</i>
<i>with the universe of the bees.</i>

555
00:41:23,953 --> 00:41:24,953
Bees...

556
00:41:31,193 --> 00:41:32,873
120...

557
00:41:46,353 --> 00:41:48,193
THE LIFE OF BEES.

558
00:41:49,113 --> 00:41:52,063
<i>- And?</i>
<i>- I found one. "The Life of Bees."</i>

559
00:41:52,113 --> 00:41:53,143
<i>- Good!</i>
<i>- Yes.</i>

560
00:41:53,193 --> 00:41:56,553
<i>I found it in the children’s section.</i>
<i>And mind you, it isn't a children’s book.</i>

561
00:41:56,833 --> 00:41:58,623
<i>When I opened the book,</i>
<i>there was no letter</i>

562
00:41:58,673 --> 00:42:02,753
<i>but there was a note with a page</i>
<i>number and several pages torn out.</i>

563
00:42:06,073 --> 00:42:09,263
I started to look for all the books
that had Carmen Zuna’s signature...

564
00:42:09,313 --> 00:42:11,143
which because of the
stamp had been archived

565
00:42:11,193 --> 00:42:12,953
in the Martín Fierro
Estate Collection.

566
00:42:13,433 --> 00:42:15,783
So I realised that
all of Carmen’s books

567
00:42:15,833 --> 00:42:18,463
had ended up in the hands of
the Bertinos or who knows where.

568
00:42:18,513 --> 00:42:20,953
But did no one ever find the letters?

569
00:42:21,633 --> 00:42:22,633
It doesn't look like it.

570
00:42:41,793 --> 00:42:43,513
THE PERSONALITY OF ANIMALS

571
00:42:49,513 --> 00:42:50,913
THE GREEK CITY

572
00:43:41,313 --> 00:43:42,313
<i>Italy.</i>

573
00:43:45,793 --> 00:43:46,793
<i>Rome.</i>

574
00:43:53,153 --> 00:43:55,183
<i>Letters that come and go</i>
<i>between Trenque Lauquen</i>

575
00:43:55,233 --> 00:43:56,993
<i>and various Italian cities.</i>

576
00:43:57,393 --> 00:44:00,463
<i>Several from Rome, some from Turin.</i>

577
00:44:00,513 --> 00:44:03,953
<i>A lot from Quincinetto and Scalaro,</i>
<i>I didn’t even know where they were.</i>

578
00:44:04,353 --> 00:44:08,783
<i>“This is what I offer to you,</i>
<i>love letters, coming and going.</i>

579
00:44:08,833 --> 00:44:10,113
<i>It starts thus…”</i>

580
00:44:27,993 --> 00:44:30,063
<i>I found a letter in every book.</i>

581
00:44:30,113 --> 00:44:31,743
<i>I put together a map with all this.</i>

582
00:44:31,793 --> 00:44:34,783
<i>I classified them, I ordered them</i>
<i>by date, I studied them.</i>

583
00:44:34,833 --> 00:44:36,703
I read all the books.
Well, not all of them...

584
00:44:36,753 --> 00:44:38,113
Hang on, hang on.
Sorry.

585
00:44:40,753 --> 00:44:42,433
- Can I ask some questions?
- Yes.

586
00:44:43,113 --> 00:44:45,063
Apart from finding all those letters…

587
00:44:45,113 --> 00:44:46,503
Which is no small thing…

588
00:44:46,553 --> 00:44:48,503
Hidden correspondence
among thousands of books.

589
00:44:48,553 --> 00:44:50,473
- Amazing.
- Yes. So... What?

590
00:44:51,633 --> 00:44:52,953
That's what I'm asking you:

591
00:44:53,713 --> 00:44:54,713
what?

592
00:44:57,553 --> 00:44:58,553
What?

593
00:44:59,033 --> 00:45:00,073
Well…

594
00:45:01,753 --> 00:45:03,233
Let me put it another way.

595
00:45:04,513 --> 00:45:06,513
Why are you so
interested in all this?

596
00:45:06,953 --> 00:45:09,473
I mean…
Apart from the thousand books…

597
00:45:10,353 --> 00:45:11,593
What's the mystery?

598
00:45:36,273 --> 00:45:37,273
Read this.

599
00:45:40,913 --> 00:45:42,023
Out loud?

600
00:45:42,073 --> 00:45:43,073
Please.

601
00:45:44,593 --> 00:45:46,513
"Carmen: I feel swept away.

602
00:45:47,153 --> 00:45:51,153
I feel like until yesterday I was a child,
and that you have made me an adult.

603
00:45:52,233 --> 00:45:53,703
Something has just begun.

604
00:45:53,753 --> 00:45:55,753
I have lost my
virginity again...

605
00:45:57,233 --> 00:45:58,913
this time definitively.

606
00:45:59,393 --> 00:46:01,583
All the women
I have been with before...

607
00:46:01,633 --> 00:46:04,903
the woman to whom I was
married for over ten years...

608
00:46:04,953 --> 00:46:08,953
every one of my many lovers,
appear before me like little girls.

609
00:46:13,913 --> 00:46:16,193
Your vagina, Carmen. Your vagina.

610
00:46:17,073 --> 00:46:21,263
Someone has given me a treasure
map, and I have started to explore it.

611
00:46:21,313 --> 00:46:24,513
I want to return to your
vagina again and again.

612
00:46:24,993 --> 00:46:27,633
Immerse myself in it, give my life to it.

613
00:46:29,913 --> 00:46:31,703
If I could live there, Carmen...

614
00:46:31,753 --> 00:46:35,513
if that devouring sex would accept
me as a permanent inhabitant...

615
00:46:36,193 --> 00:46:39,073
I would, after so many
years, finally be happy.

616
00:46:41,113 --> 00:46:43,033
My phallus is a poor innocent.

617
00:46:43,633 --> 00:46:47,873
A poor blind man who has entered
the jungle and cannot now leave.

618
00:46:48,553 --> 00:46:51,223
I am crying.
I am a castaway. I am lost.

619
00:46:51,273 --> 00:46:52,273
Paolo."

620
00:46:57,073 --> 00:46:58,543
The mystery is her.

621
00:46:58,593 --> 00:46:59,593
Carmen Zuna.

622
00:47:00,313 --> 00:47:01,353
Unbelievable.

623
00:47:01,593 --> 00:47:02,593
Yes.

624
00:47:12,673 --> 00:47:13,713
<i>"Dear Carmen:</i>

625
00:47:14,313 --> 00:47:16,193
Yesterday I thought about you all day."

626
00:47:16,593 --> 00:47:18,183
- He dropped the formalities.
- Yes.

627
00:47:18,233 --> 00:47:20,623
"That little hotel room,
that staircase...

628
00:47:20,673 --> 00:47:24,023
that table, will be little sanctuaries
for me, little temples."

629
00:47:24,073 --> 00:47:25,183
Hang on...

630
00:47:25,233 --> 00:47:26,703
Interesting.
A lot of information.

631
00:47:26,753 --> 00:47:28,463
Yes. We know that
they met in a hotel.

632
00:47:28,513 --> 00:47:30,993
But the staircase...
Who knows why he says that.

633
00:47:31,793 --> 00:47:33,863
Maybe they always
started on the staircase…

634
00:47:33,913 --> 00:47:35,863
On the staircase
of the hotel? You think?

635
00:47:35,913 --> 00:47:37,593
I wouldn't be surprised.

636
00:47:38,113 --> 00:47:41,113
What I don't understand is the table.
Why does he mention the table?

637
00:47:46,073 --> 00:47:48,863
"The table. That little wooden table...

638
00:47:48,913 --> 00:47:50,223
and you on top of it.

639
00:47:50,273 --> 00:47:52,993
Your eye, waiting, open like…"

640
00:48:00,993 --> 00:48:04,183
"Your eye waiting open like an orange…"

641
00:48:04,233 --> 00:48:05,233
Ah, OK…

642
00:48:07,033 --> 00:48:09,023
"I want the summer to come now.

643
00:48:09,073 --> 00:48:11,823
Please, beloved Carmen,
let us meet again.

644
00:48:11,873 --> 00:48:14,833
Let us set a time and place
for our next encounter.

645
00:48:15,313 --> 00:48:17,353
There I will be, always yours. Paolo."

646
00:48:23,833 --> 00:48:25,863
<i>"Carmen: I apologise."</i>

647
00:48:25,913 --> 00:48:26,943
<i>He goes back to the formality.</i>

648
00:48:26,993 --> 00:48:28,903
<i>"The student was not up to the task.</i>

649
00:48:28,953 --> 00:48:31,833
<i>I failed. I failed you,</i>
<i>and I deserve punishment.</i>

650
00:48:32,753 --> 00:48:34,703
<i>I was foolish, I was weak.</i>

651
00:48:34,753 --> 00:48:39,063
<i>To see you in that man’s arms,</i>
<i>to see that man possess you...</i>

652
00:48:39,113 --> 00:48:43,233
<i>to see you aroused, panting,</i>
<i>screaming, surrendered...</i>

653
00:48:43,713 --> 00:48:44,713
<i>rude.</i>

654
00:48:45,513 --> 00:48:50,943
<i>Burning like a fire for that coarse</i>
<i>man, that brutish, rough man...</i>

655
00:48:50,993 --> 00:48:53,343
<i>for that animal who did not</i>
<i>and could not know</i>

656
00:48:53,393 --> 00:48:56,793
<i>who he had in his arms</i>
<i>was too much for me.</i>

657
00:48:57,473 --> 00:49:00,583
<i>The image tortured me</i>
<i>and continues to torture me.</i>

658
00:49:00,633 --> 00:49:02,593
<i>There I was, sitting, watching you...</i>

659
00:49:03,073 --> 00:49:05,353
<i>The gaucho, watching me...</i>

660
00:49:05,953 --> 00:49:08,313
<i>Laughing at me as he possessed you.</i>

661
00:49:08,833 --> 00:49:12,063
<i>And you, Carmen, your happiness,</i>
<i>your fury, your laughter...</i>

662
00:49:12,113 --> 00:49:14,423
<i>looking at me contentedly like a child."</i>

663
00:49:14,473 --> 00:49:15,473
<i>Blimey.</i>

664
00:49:17,073 --> 00:49:18,513
<i>"I don't know if I will be able…</i>

665
00:49:18,753 --> 00:49:21,273
<i>I don't know if I will be able</i>
<i>to continue my education.</i>

666
00:49:21,553 --> 00:49:23,113
I don't know if this art is for me.

667
00:49:23,473 --> 00:49:24,863
I don't know if I'm any use to you.

668
00:49:24,913 --> 00:49:29,273
If I can cope with your fire, my
lady, my queen, my priestess.

669
00:49:30,193 --> 00:49:31,823
I am worse than you.

670
00:49:31,873 --> 00:49:34,023
I do not deserve
any of you, Carmen.

671
00:49:34,073 --> 00:49:36,033
Nor do I deserve to be
humiliated by you. Paolo."

672
00:49:36,593 --> 00:49:38,433
- This is getting a bit weird.
- Yes.

673
00:49:39,473 --> 00:49:40,753
What do you make of it?

674
00:49:42,113 --> 00:49:44,273
Her ladyship took the
gaucho to the stud farm.

675
00:49:45,353 --> 00:49:47,233
You think she’s a landowner?

676
00:49:48,033 --> 00:49:50,273
I don’t know. That seems
to be the case, doesn’t it?

677
00:49:50,593 --> 00:49:51,593
Yes.

678
00:49:54,833 --> 00:49:56,273
- Shall we go?
- Yes.

679
00:50:22,473 --> 00:50:23,993
<i>"Carmen, my beloved.</i>

680
00:50:24,353 --> 00:50:26,473
<i>A short note</i>
<i>on this windy afternoon.</i>

681
00:50:26,713 --> 00:50:29,353
<i>I'm so aroused that</i>
<i>I don't know where to begin.</i>

682
00:50:29,913 --> 00:50:32,513
<i>I feel like I am being examined</i>
<i>on a new subject.</i>

683
00:50:32,913 --> 00:50:34,783
<i>I write you letters</i>
<i>and tear them up.</i>

684
00:50:34,833 --> 00:50:36,223
<i>I can't find the words.</i>

685
00:50:36,273 --> 00:50:38,273
<i>I don't recognise</i>
<i>my handwriting on the paper.</i>

686
00:50:38,993 --> 00:50:42,633
<i>Could it be that I am terrified by the</i>
<i>idea of losing my place in your heart?</i>

687
00:50:42,913 --> 00:50:44,913
<i>Whatever it is, I cannot wait.</i>

688
00:50:45,353 --> 00:50:47,753
<i>I know he will be received</i>
<i>as one of us."</i>

689
00:50:49,473 --> 00:50:51,223
I honestly don't understand a thing.

690
00:50:51,273 --> 00:50:53,553
"Whatever it is, I cannot wait...

691
00:50:54,273 --> 00:50:56,873
I know he will be received
as one of us.

692
00:50:57,753 --> 00:50:59,033
And you Carmen?

693
00:50:59,273 --> 00:51:00,713
When will I see you again?

694
00:51:01,233 --> 00:51:02,513
Will it be soon?

695
00:51:02,873 --> 00:51:05,073
I miss you more
than ever. Paolo."

696
00:51:06,273 --> 00:51:08,463
"Dear Carmen:
I no longer know why I write to you.

697
00:51:08,513 --> 00:51:10,863
Three months have passed since you left.

698
00:51:10,913 --> 00:51:13,153
Where are you?
Who could you be with?

699
00:51:13,433 --> 00:51:16,233
Who is in the place where
I was for so many years?

700
00:51:16,673 --> 00:51:18,753
Was it that easy to replace me?'

701
00:51:19,073 --> 00:51:22,633
<i>"Carmen, I no longer know where</i>
<i>I find the strength to write to you...</i>

702
00:51:23,273 --> 00:51:25,553
<i>but I feel that it is</i>
<i>the only thing I can do.</i>

703
00:51:25,993 --> 00:51:28,383
<i>I am not resigned</i>
<i>to this being a farewell.</i>

704
00:51:28,433 --> 00:51:30,263
<i>Oh Carmen, oh my traveller,</i>

705
00:51:30,313 --> 00:51:32,433
<i>oh my adventurer, don't leave me this way!</i>

706
00:51:32,873 --> 00:51:36,913
<i>After abandoning everything,</i>
<i>this fire has left too many wounds.</i>

707
00:51:37,393 --> 00:51:39,153
<i>- He left his wife?</i>
<i>- Well, yeah.</i>

708
00:51:39,553 --> 00:51:41,193
<i>- Paolo was married.</i>
<i>- Of course.</i>

709
00:51:41,873 --> 00:51:44,713
<i>Then I remember that your body</i>
<i>is the map of my life,</i>

710
00:51:45,113 --> 00:51:46,753
<i>and without your body I am lost.</i>

711
00:51:47,593 --> 00:51:50,183
<i>Your letters reach me</i>
<i>from the most remote places.</i>

712
00:51:50,233 --> 00:51:52,953
<i>And your words become</i>
<i>equally remote and vague.</i>

713
00:51:53,353 --> 00:51:56,313
<i>Could it be that you wrote them</i>
<i>thinking they would be your last?</i>

714
00:51:56,833 --> 00:51:58,313
<i>I cannot accept that.</i>

715
00:51:58,673 --> 00:52:01,353
<i>I deny those words,</i>
<i>I impugn them.</i>

716
00:52:02,913 --> 00:52:04,593
<i>They are the words of a little girl.</i>

717
00:52:04,833 --> 00:52:07,143
<i>A little girl who repeats mechanically</i>

718
00:52:07,193 --> 00:52:09,593
<i>the cruel verses of infantile games.</i>

719
00:52:12,753 --> 00:52:14,623
But you are not
a little girl, Carmen.

720
00:52:14,673 --> 00:52:16,223
And this is not a game.

721
00:52:16,273 --> 00:52:17,873
Yours, Paolo."

722
00:52:21,233 --> 00:52:22,513
He's losing her.

723
00:52:23,433 --> 00:52:24,433
Yes.

724
00:52:25,953 --> 00:52:28,393
I don't know why he insists
so much on the words.

725
00:52:28,833 --> 00:52:29,833
What words?

726
00:52:32,193 --> 00:52:33,903
"They are the words of a little girl.

727
00:52:33,953 --> 00:52:37,073
A little girl who repeats mechanically."

728
00:52:37,633 --> 00:52:38,903
What could that be?

729
00:52:38,953 --> 00:52:40,753
I'm leaving you!

730
00:52:42,913 --> 00:52:46,113
To me, it sounds like
a pat-a-cake.

731
00:52:46,353 --> 00:52:48,103
I leave you, I leave you,
I ditch you, I ditch you...

732
00:52:48,153 --> 00:52:49,743
I kill you, I kill you,
I bury you, I bury you...

733
00:52:49,793 --> 00:52:51,073
Goodbye, goodbye, goodbye!

734
00:52:57,433 --> 00:52:58,633
I don't know.

735
00:53:00,393 --> 00:53:01,913
What do you think she said to him?

736
00:53:03,953 --> 00:53:06,103
- Bye, bye?
- Bye, bye.

737
00:53:06,153 --> 00:53:07,793
Bye, bye, goodbye?

738
00:53:09,833 --> 00:53:11,193
Farewell, farewell?

739
00:53:11,433 --> 00:53:13,033
- I’m leaving!
- I'm leaving.

740
00:53:13,273 --> 00:53:15,313
Farewell, farewell,
I'm going away.

741
00:53:15,953 --> 00:53:17,433
Yes, that sounds mechanical.

742
00:53:18,633 --> 00:53:19,633
Yes.

743
00:53:19,873 --> 00:53:23,713
<i>If you find yourself regretting</i>
<i>I’m leaving, I’m leaving</i>

744
00:53:24,393 --> 00:53:28,073
<i>Having given your love</i>
<i>Farewell, farewell</i>

745
00:53:28,913 --> 00:53:32,713
<i>It wasn’t my fault</i>
<i>I’m leaving, I’m leaving</i>

746
00:53:33,513 --> 00:53:36,983
<i>You gave me the chance</i>
<i>Farewell, farewell</i>

747
00:53:37,033 --> 00:53:40,033
<i>Jealousy weighs down on me</i>
<i>I don’t know why</i>

748
00:54:12,193 --> 00:54:15,193
IV
"FAREWELL, FAREWELL, I’M GOING AWAY"

749
00:55:17,753 --> 00:55:19,943
All right, Abrante, thanks.

750
00:55:19,993 --> 00:55:22,663
So I come out here where I came
in and straight ahead to Piedritas?

751
00:55:22,713 --> 00:55:23,713
Yes, yes.

752
00:55:24,273 --> 00:55:26,793
Straight ahead, you’ll see a sign. OK?

753
00:55:27,193 --> 00:55:28,863
I’m in a hurry. Excuse me.

754
00:55:28,913 --> 00:55:30,583
No, no. Please. Thank you.

755
00:55:30,633 --> 00:55:32,233
Thank you very much. Bye.

756
00:55:45,233 --> 00:55:47,553
Nothing, mate.
This Abrante hasn’t got a clue.

757
00:55:48,953 --> 00:55:50,633
He doesn’t know
anything about Laura...

758
00:55:52,513 --> 00:55:54,993
or who this guy in the bar is...
He doesn’t know a thing.

759
00:55:56,193 --> 00:55:57,903
He hasn’t had any orchids for ten years.

760
00:55:57,953 --> 00:56:00,263
He doesn’t know anything
about plants. Now he has sows.

761
00:56:00,313 --> 00:56:01,313
Mothers.

762
00:56:03,673 --> 00:56:05,593
3 months, 3 weeks and 3 days.

763
00:56:11,953 --> 00:56:15,153
In 114 days they get
8 to 12 suckling pigs.

764
00:56:16,393 --> 00:56:18,713
So each sow could have up to…

765
00:56:20,873 --> 00:56:22,833
About 30 suckling pigs a year.

766
00:56:24,393 --> 00:56:25,753
Ten mothers...

767
00:56:26,633 --> 00:56:27,633
300 a year.

768
00:56:29,473 --> 00:56:32,663
Every suckling pig is 10 kilos,
more or less 5000, 5500 pesos.

769
00:56:32,713 --> 00:56:34,153
Good business, no?

770
00:56:38,753 --> 00:56:40,623
What Abrante did tell me...

771
00:56:40,673 --> 00:56:44,153
is that there’s a big nature reserve
near here, near Piedritas.

772
00:56:45,393 --> 00:56:48,273
Maybe there is the thing
we’re looking for.

773
00:56:49,313 --> 00:56:50,313
Laura?

774
00:56:51,433 --> 00:56:52,953
Not exactly.

775
00:56:54,353 --> 00:56:56,233
Laura’s unclassified species.

776
00:56:56,633 --> 00:56:58,553
I think that could lead us to Laura.

777
00:57:08,633 --> 00:57:11,593
Do you remember when the last
time was that you saw her exactly?

778
00:57:12,633 --> 00:57:13,713
I'm not sure.

779
00:57:14,273 --> 00:57:16,343
Evidently with the car thing...

780
00:57:16,393 --> 00:57:19,223
Ah, sure. When she
came to borrow the car.

781
00:57:19,273 --> 00:57:20,743
And when she stole your car...

782
00:57:20,793 --> 00:57:23,743
Sorry, but I don't feel
like she stole my car.

783
00:57:23,793 --> 00:57:24,793
Well...

784
00:57:25,273 --> 00:57:26,273
OK.

785
00:57:28,353 --> 00:57:30,473
- You drove her around, right?
- Yes.

786
00:57:30,873 --> 00:57:31,873
OK.

787
00:57:32,393 --> 00:57:34,793
How often?
Do you remember how often?

788
00:57:35,473 --> 00:57:37,393
Once or twice a week.

789
00:57:38,113 --> 00:57:40,153
It depended on the work she had to do.

790
00:57:47,233 --> 00:57:48,393
What was that like?

791
00:57:49,473 --> 00:57:52,513
Tell me the routine…
Did you meet at the council?

792
00:57:55,553 --> 00:57:57,513
I usually picked her up at the radio.

793
00:57:58,993 --> 00:57:59,993
The radio?

794
00:58:00,793 --> 00:58:02,143
She worked at a radio station.

795
00:58:02,193 --> 00:58:03,193
Who?

796
00:58:03,513 --> 00:58:04,513
Laura...

797
00:58:06,073 --> 00:58:07,793
Laura worked at a radio station?

798
00:58:09,793 --> 00:58:11,713
She had a guest spot on a programme.

799
00:58:13,553 --> 00:58:14,953
Juliana's programme.

800
00:58:29,833 --> 00:58:32,993
Listen, did she
tell you anything about me?

801
00:58:33,393 --> 00:58:35,663
I mean, did she tell
you she had a boyfriend?

802
00:58:35,713 --> 00:58:37,513
- Yes, she told me.
- OK.

803
00:58:37,993 --> 00:58:38,993
OK.

804
00:58:39,793 --> 00:58:41,023
So, the radio…

805
00:58:41,073 --> 00:58:42,223
Yes.

806
00:58:42,273 --> 00:58:43,273
Carry on.

807
00:58:45,233 --> 00:58:47,113
I used to pick her up at the radio...

808
00:58:47,673 --> 00:58:51,473
we'd go to the farm
where she had to work...

809
00:58:52,913 --> 00:58:54,593
Sometimes we had lunch...

810
00:58:56,473 --> 00:58:58,433
then I left her at the hotel.
That's all.

811
00:58:59,233 --> 00:59:00,233
Right.

812
00:59:01,353 --> 00:59:03,913
Right. That job was the
first step to being appointed…

813
00:59:04,313 --> 00:59:05,753
as department head.

814
00:59:08,513 --> 00:59:10,113
We were joint chair.

815
00:59:10,953 --> 00:59:13,233
I was the head,
she hasn’t been appointed yet…

816
00:59:16,873 --> 00:59:18,873
She was about to be appointed…

817
00:59:21,153 --> 00:59:22,193
Right.

818
00:59:24,113 --> 00:59:27,953
I mean, if she did that job well,
the position was confirmed…

819
00:59:29,153 --> 00:59:30,193
Right.

820
00:59:34,273 --> 00:59:36,473
That's why I don't
understand what's going on.

821
00:59:37,593 --> 00:59:38,593
Right.

822
00:59:52,153 --> 00:59:54,353
Can you tell me the name of the radio?

823
00:59:55,673 --> 00:59:56,673
L, U.

824
00:59:57,193 --> 00:59:59,193
L for "Laura",
U for "unicorn"...

825
01:00:00,033 --> 01:00:01,033
11.

826
01:00:01,313 --> 01:00:02,313
OK.

827
01:00:04,033 --> 01:00:05,033
Let's go.

828
01:00:10,353 --> 01:00:12,193
You drive, I’m tired.

829
01:01:45,913 --> 01:01:47,033
What happened?

830
01:01:48,113 --> 01:01:49,273
Flat tyre.

831
01:01:51,873 --> 01:01:53,553
OK, let’s get the jack.

832
01:01:53,993 --> 01:01:55,553
- No.
- No what?

833
01:01:59,233 --> 01:02:00,543
No, I haven’t got one.

834
01:02:00,593 --> 01:02:01,593
What?

835
01:02:02,793 --> 01:02:05,423
I've just realised, the day
Laura borrowed the car...

836
01:02:05,473 --> 01:02:08,673
I took all the things out of the boot
to clean it and left it all at my house.

837
01:02:09,593 --> 01:02:10,913
No, I don't understand.

838
01:02:11,193 --> 01:02:13,703
You go driving in the
country without a jack?

839
01:02:13,753 --> 01:02:16,433
I’ll remind you that it wasn't
in my plans to drive here.

840
01:02:22,113 --> 01:02:23,633
I have the worst luck!

841
01:02:26,513 --> 01:02:28,153
We’ll call the breakdown service.

842
01:02:28,673 --> 01:02:31,543
You sure about the jack?
You don’t want to check just in case?

843
01:02:31,593 --> 01:02:33,873
I’m sure, but I’ll check.

844
01:02:42,913 --> 01:02:43,913
See?

845
01:02:52,993 --> 01:02:54,353
Is that Laura’s backpack?

846
01:02:59,593 --> 01:03:01,553
Call the breakdown service, please.

847
01:03:46,193 --> 01:03:47,193
OK.

848
01:03:47,913 --> 01:03:49,873
They’ll be here in an hour,
hour and a half.

849
01:03:53,553 --> 01:03:58,033
"Autobiography of a sexually
emancipated woman."

850
01:03:59,313 --> 01:04:00,313
Crikey.

851
01:04:37,473 --> 01:04:39,753
So I can get some sleep...

852
01:04:40,793 --> 01:04:44,623
Hey, could you give me a
wake-up call at quarter to five?

853
01:04:44,673 --> 01:04:48,583
Yes, of course. Girls, do you
want to watch TV in the kitchen?

854
01:04:48,633 --> 01:04:50,223
I’ll set my phone all the same…

855
01:04:50,273 --> 01:04:54,143
but if I don't hear it I prefer
to be woken by a professional.

856
01:04:54,193 --> 01:04:56,393
Can I get breakfast at that time?

857
01:04:57,033 --> 01:04:58,553
I'll find out, Sir.

858
01:04:59,113 --> 01:05:01,023
If it's very complicated:
A coffee, something quick...

859
01:05:01,073 --> 01:05:02,983
so I don't have to go
out on an empty stomach.

860
01:05:03,033 --> 01:05:05,543
- Yes, sir. We'll get you a coffee.
- Thanks, very kind.

861
01:05:05,593 --> 01:05:08,993
Don’t worry about my friend here,
he’ll probably keep on sleeping.

862
01:05:09,753 --> 01:05:11,753
- Thank you, thanks a lot.
- You're welcome.

863
01:06:12,793 --> 01:06:15,233
- Mum, can we watch TV?
- In a minute.

864
01:06:15,513 --> 01:06:16,623
When?

865
01:06:16,673 --> 01:06:19,113
In a minute when
I’ve finished clearing the table.

866
01:06:19,393 --> 01:06:20,953
- Good morning.
- Morning.

867
01:06:21,593 --> 01:06:23,273
- Will you have breakfast?
- Yes.

868
01:06:24,793 --> 01:06:27,583
Excuse me. Could I have
some more croissants please?

869
01:06:27,633 --> 01:06:29,233
But the butter ones.

870
01:06:29,833 --> 01:06:32,233
I have sweet or savoury.
Is that ok?

871
01:06:34,153 --> 01:06:35,153
Sweet.

872
01:06:37,753 --> 01:06:38,753
Sweet.

873
01:06:44,713 --> 01:06:46,633
- Did you sleep well?
- Yeah, yeah...

874
01:06:46,993 --> 01:06:47,993
Good.

875
01:06:49,673 --> 01:06:50,793
You didn’t shower?

876
01:06:51,633 --> 01:06:54,233
- No.
- The shower’s great.

877
01:06:58,353 --> 01:07:00,023
Just so you know…

878
01:07:00,073 --> 01:07:01,233
There’s a lot to do.

879
01:07:02,953 --> 01:07:04,783
I was at the nature reserve this morning.

880
01:07:04,833 --> 01:07:08,753
Very nice reserve, very well maintained,
there was nothing there.

881
01:07:08,993 --> 01:07:12,463
Not a trace. Not a trace of the
unclassified species, not a trace of Laura.

882
01:07:12,513 --> 01:07:15,313
There wasn't even a trace of the
women who were working there.

883
01:07:15,553 --> 01:07:16,553
Thank you.

884
01:07:17,993 --> 01:07:19,983
So they sent me back here, to América.

885
01:07:20,033 --> 01:07:21,393
To a municipal plant nursery.

886
01:07:22,033 --> 01:07:24,233
They wanted to send
me to a zoo. Nothing.

887
01:07:25,153 --> 01:07:26,513
There’s nothing.

888
01:07:27,273 --> 01:07:28,393
The thing is something else.

889
01:07:31,153 --> 01:07:32,673
The news of the day is here.

890
01:07:44,953 --> 01:07:48,503
"Man has always tried
to impose his ego on us women

891
01:07:48,553 --> 01:07:51,233
and adapt us completely to his ends.

892
01:07:51,793 --> 01:07:53,503
Thus, despite everything,

893
01:07:53,553 --> 01:07:56,063
the inevitable inner rebellion broke out

894
01:07:56,113 --> 01:07:59,433
because love became a prison."

895
01:08:03,153 --> 01:08:04,393
I'll read you another one.

896
01:08:07,313 --> 01:08:11,343
"I had to go, I had to break with
the chosen man, as otherwise...

897
01:08:11,393 --> 01:08:13,583
this was a subconscious feeling...

898
01:08:13,633 --> 01:08:17,953
I would have exposed myself to the danger
of losing my independent existence."

899
01:08:20,073 --> 01:08:21,953
One more…
Underlined with pen.

900
01:08:22,873 --> 01:08:25,863
"The decrease in our
capacity to work was lost

901
01:08:25,913 --> 01:08:29,593
in sterile emotional experiences."

902
01:08:32,113 --> 01:08:36,433
And the ink matches the piece of paper
where she wrote down your telephone number.

903
01:08:36,833 --> 01:08:39,313
The piece of paper she
left at the service station.

904
01:08:44,673 --> 01:08:46,553
It's clear what is happening here.

905
01:08:54,833 --> 01:08:56,793
Laura was making a house with me.

906
01:08:59,633 --> 01:09:02,033
She was about to take
a position in my department.

907
01:09:04,353 --> 01:09:06,153
It isn't that Laura's gone crazy.

908
01:09:07,593 --> 01:09:08,993
It's just that she's got cold feet.

909
01:09:11,873 --> 01:09:12,873
Cold feet?

910
01:09:15,553 --> 01:09:16,553
About what?

911
01:09:22,153 --> 01:09:23,153
In general.

912
01:09:26,873 --> 01:09:27,993
Love or work.

913
01:09:29,033 --> 01:09:31,993
A man or an independent life.
A career...

914
01:09:34,793 --> 01:09:37,353
Laura needs to find
that unclassified species.

915
01:09:38,113 --> 01:09:39,553
Work out the enigma.

916
01:09:40,593 --> 01:09:41,953
And feel...

917
01:09:42,513 --> 01:09:44,193
like she did it herself.

918
01:09:45,193 --> 01:09:46,993
That no one worked it out for her.

919
01:09:50,473 --> 01:09:52,433
That I didn't work it out for her.

920
01:09:55,553 --> 01:09:58,233
Only then will she be able
to return to her usual life.

921
01:10:01,673 --> 01:10:02,793
It's all here.

922
01:10:03,633 --> 01:10:04,673
In this book.

923
01:10:14,473 --> 01:10:15,473
Rafael...

924
01:10:19,993 --> 01:10:22,113
I need us to go back to Trenque.

925
01:10:24,953 --> 01:10:27,393
See the people
who were close to this Laura.

926
01:10:28,433 --> 01:10:30,313
I need you to come with me.

927
01:10:34,593 --> 01:10:36,273
I'm going to pay for the hotel.

928
01:10:37,233 --> 01:10:40,673
And pick up some regional products that
I bought on the excursion this morning.

929
01:10:41,193 --> 01:10:42,713
Shall I see you in the car?

930
01:10:43,193 --> 01:10:44,873
I've already got petrol.

931
01:10:47,433 --> 01:10:49,353
Excuse me, could I check out?

932
01:10:49,593 --> 01:10:51,143
- Yes, certainly.
- Thank you.

933
01:10:51,193 --> 01:10:54,033
I'm going to the restroom.
I'm leaving the credit card here.

934
01:11:52,793 --> 01:11:54,593
<i>Something I’ve never wanted</i>

935
01:11:56,593 --> 01:11:59,113
<i>Is having ever been ungrateful</i>

936
01:12:00,433 --> 01:12:03,663
<i>That’s why I’ve never forgotten</i>

937
01:12:03,713 --> 01:12:06,153
<i>How much you’ve</i>
<i>been there for me</i>

938
01:12:08,193 --> 01:12:10,553
<i>I could say that you and I</i>

939
01:12:11,313 --> 01:12:13,793
<i>We’ve been good friends</i>

940
01:12:15,673 --> 01:12:17,633
<i>I don’t know if it’s fate</i>

941
01:12:19,553 --> 01:12:21,553
<i>That parts the ways</i>

942
01:12:23,193 --> 01:12:28,793
<i>You always go in such a hurry</i>
<i>Hiding in your laughter</i>

943
01:12:30,753 --> 01:12:36,593
<i>Maybe you never understood</i>
<i>That I move slowly and sadly</i>

944
01:13:01,753 --> 01:13:03,833
<i>I offered you my soul sincerely</i>

945
01:13:05,433 --> 01:13:11,943
<i>And you weren’t even</i>
<i>capable of taking my hand</i>

946
01:13:11,993 --> 01:13:14,673
<i>I don’t know if it was in vain</i>

947
01:13:16,313 --> 01:13:21,713
<i>I could hardly say</i>
<i>that you feel it with sorrow</i>

948
01:13:23,553 --> 01:13:25,273
<i>And don’t ask why</i>

949
01:13:27,153 --> 01:13:29,193
<i>There’s no sense in knowing</i>

950
01:13:30,633 --> 01:13:36,233
<i>Just sit in silence beside me</i>

951
01:13:37,993 --> 01:13:43,633
<i>And don’t ask after me</i>
<i>when I’m gone</i>

952
01:14:27,233 --> 01:14:30,233
V
THE ROADS

953
01:14:39,393 --> 01:14:41,433
LOVE LETTERS

954
01:14:42,393 --> 01:14:43,713
PROPOSAL

955
01:14:54,873 --> 01:14:56,753
MARTIN FIERRO ESTATE

956
01:14:57,633 --> 01:14:59,473
I / WE

957
01:14:59,953 --> 01:15:01,233
BEES (NO LETTER)

958
01:15:04,553 --> 01:15:06,033
NO CLUES

959
01:15:19,753 --> 01:15:23,153
“WHO HAS CHILDREN ACCEPTS LIFE”
PAGE 48. PAVESE, LE AMICHE

960
01:15:24,513 --> 01:15:26,033
NO REPLY

961
01:15:29,713 --> 01:15:31,713
WALKING

962
01:15:36,273 --> 01:15:37,793
MY ANSWER IS JUANA

963
01:15:53,233 --> 01:15:55,513
It's the only note from
Carmen signed by her.

964
01:15:55,953 --> 01:15:58,273
I don't understand
how I missed that detail.

965
01:15:59,073 --> 01:16:01,423
If there is a note from Carmen
among Carmen’s things...

966
01:16:01,473 --> 01:16:03,473
it's because this
note was never sent.

967
01:16:03,793 --> 01:16:06,463
And it's because this name, Juana...

968
01:16:06,513 --> 01:16:08,833
represents something
that she wanted to omit.

969
01:16:09,633 --> 01:16:13,113
Something that she thought,
wrote, but then didn't send.

970
01:16:14,993 --> 01:16:16,033
Mysterious, huh?

971
01:16:16,713 --> 01:16:18,183
Is it the only time she’s mentioned?

972
01:16:18,233 --> 01:16:19,913
Yes, the only time.

973
01:16:20,553 --> 01:16:23,393
There's something
curious about the Juanas…

974
01:16:24,513 --> 01:16:27,263
There's a book about Joan of Arc,
one about Sister Juana Inés de la Cruz.

975
01:16:27,313 --> 01:16:31,753
And the book about Joan of Arc is
also translated by a Juana, Juana Castro.

976
01:16:32,353 --> 01:16:33,353
Right.

977
01:16:33,753 --> 01:16:34,753
Right...

978
01:16:35,073 --> 01:16:36,953
- A thousand Juanas.
- Yes.

979
01:16:37,313 --> 01:16:40,753
I don’t know. Just to bear it in mind.
Maybe it'll help us to think.

980
01:16:41,793 --> 01:16:42,833
Right.

981
01:16:43,953 --> 01:16:44,953
Right...

982
01:16:47,113 --> 01:16:48,633
- What's up?
- Nothing.

983
01:16:49,713 --> 01:16:51,313
- What's up?
- Nothing.

984
01:16:58,113 --> 01:16:59,113
I found something.

985
01:17:08,073 --> 01:17:09,833
- Carmen Zuna.
- No!

986
01:17:12,193 --> 01:17:15,473
<i>The first thing that caught my attention</i>
<i>about Carmen is that no one knew her.</i>

987
01:17:16,033 --> 01:17:17,383
<i>I grew up in this town.</i>

988
01:17:17,433 --> 01:17:18,783
<i>Everyone knows each other.</i>

989
01:17:18,833 --> 01:17:21,953
<i>A woman like that</i>
<i>would never go unnoticed.</i>

990
01:17:22,353 --> 01:17:23,833
<i>Even less with Carmen’s profile.</i>

991
01:17:25,073 --> 01:17:27,633
<i>How could it be that</i>
<i>no one noticed her?</i>

992
01:17:30,753 --> 01:17:33,073
<i>It had to be someone</i>
<i>who came to the town now and again.</i>

993
01:17:33,433 --> 01:17:35,833
<i>A doctor, who came to work</i>
<i>at the hospital.</i>

994
01:17:36,153 --> 01:17:37,153
<i>Or a nun.</i>

995
01:17:37,673 --> 01:17:39,753
<i>But at that time</i>
<i>there were no convents.</i>

996
01:17:40,553 --> 01:17:42,543
<i>I looked in all the</i>
<i>registers I could find.</i>

997
01:17:42,593 --> 01:17:45,023
<i>Locals guide, Kraft guide...</i>

998
01:17:45,073 --> 01:17:47,263
<i>phone book, book of trades...</i>

999
01:17:47,313 --> 01:17:49,673
<i>professional services,</i>
<i>electoral registers.</i>

1000
01:17:56,393 --> 01:17:57,393
<i>Not a trace.</i>

1001
01:19:22,993 --> 01:19:25,713
<i>Until I had a revelation.</i>
<i>An intuition.</i>

1002
01:19:33,073 --> 01:19:35,663
Since they played so much with
the idea of the student,

1003
01:19:35,713 --> 01:19:37,553
the teacher, learning...

1004
01:19:38,073 --> 01:19:39,983
- Perhaps I had to go and see…
- You went to the school?

1005
01:19:40,033 --> 01:19:42,193
School Number 1.
I’m a former student.

1006
01:20:03,993 --> 01:20:05,713
<i>At the school I met everyone.</i>

1007
01:20:07,553 --> 01:20:10,383
Chicho! Long time no see!

1008
01:20:10,433 --> 01:20:11,953
<i>Tito the caretaker.</i>

1009
01:20:12,633 --> 01:20:14,833
<i>Lelia, my second grade teacher.</i>

1010
01:20:16,793 --> 01:20:18,873
<i>Graciela, the librarian...</i>

1011
01:20:22,473 --> 01:20:24,153
<i>and Mary, the principal.</i>

1012
01:20:29,633 --> 01:20:31,743
<i>I asked them if they had</i>
<i>a file from that time...</i>

1013
01:20:31,793 --> 01:20:32,793
<i>From 1960.</i>

1014
01:20:34,033 --> 01:20:36,303
<i>I didn't tell them</i>
<i>exactly what it was for.</i>

1015
01:20:36,353 --> 01:20:39,473
<i>I simply said that I was interested</i>
<i>in the school’s file.</i>

1016
01:20:41,793 --> 01:20:45,383
<i>The first thing they showed me was</i>
<i>a picture from "The Golden Decade".</i>

1017
01:20:45,433 --> 01:20:48,183
It was the era of the great schools.

1018
01:20:48,233 --> 01:20:52,033
<i>I found that the teaching stuff</i>
<i>from '60 to '70 were outstanding.</i>

1019
01:20:52,313 --> 01:20:55,423
<i>In those ten years, the teachers</i>
<i>were almost all eminences.</i>

1020
01:20:55,473 --> 01:20:57,303
<i>It was the time</i>
<i>of the great schools, I'm told.</i>

1021
01:20:57,353 --> 01:21:00,193
Do you know who all of them are?

1022
01:21:00,473 --> 01:21:01,673
Some, yes.

1023
01:21:01,913 --> 01:21:04,753
This is Ana María Sastre.

1024
01:21:05,033 --> 01:21:07,953
<i>The thing is that Tito,</i>
<i>Graciela, Mary and Lelia...</i>

1025
01:21:08,233 --> 01:21:11,193
<i>spent some time putting</i>
<i>names to the teachers.</i>

1026
01:21:11,753 --> 01:21:13,233
<i>They recognised them all.</i>

1027
01:21:14,353 --> 01:21:16,743
<i>Ana María Sastre, Leoncia Garro...</i>

1028
01:21:16,793 --> 01:21:19,353
<i>Silvina San Miguel, "la Bergamasco"...</i>

1029
01:21:20,193 --> 01:21:21,873
<i>Ulda Saenz de Fosatti...</i>

1030
01:21:24,233 --> 01:21:27,113
<i>Piaggio, Trotta, Barragué, Muñiz.</i>

1031
01:21:27,993 --> 01:21:29,063
<i>They all have a name.</i>

1032
01:21:29,113 --> 01:21:32,223
Longobardi…
And this one…

1033
01:21:32,273 --> 01:21:35,423
Who is that one, because this one
we know up to here, but that one?

1034
01:21:35,473 --> 01:21:37,303
I don't remember that one.

1035
01:21:37,353 --> 01:21:38,353
I can't place her.

1036
01:21:39,993 --> 01:21:41,713
No. The other ones, yes.

1037
01:21:43,353 --> 01:21:44,993
<i>Everyone had a name except one.</i>

1038
01:21:45,833 --> 01:21:48,673
- Beatriz Del Sarto.
- Del Sarto...

1039
01:21:49,753 --> 01:21:51,833
- And this one?
- Is she Barragé?

1040
01:21:52,073 --> 01:21:54,303
Hey, what about this
one with the long hair?

1041
01:21:54,353 --> 01:21:56,743
Isn't she the same one
we don't know from there?

1042
01:21:56,793 --> 01:22:00,033
<i>It was always the same woman:</i>
<i>a teacher who they couldn't place at all.</i>

1043
01:22:01,113 --> 01:22:02,903
This is the same photo from…

1044
01:22:02,953 --> 01:22:06,113
This is the photo from there.
Exactly, it's the same person.

1045
01:22:07,473 --> 01:22:10,023
The magazine of the
school’s centenary.

1046
01:22:10,073 --> 01:22:11,463
Look, 100 years.

1047
01:22:11,513 --> 01:22:14,903
<i>This same photo even appears in</i>
<i>the magazine of the school’s centenary.</i>

1048
01:22:14,953 --> 01:22:16,423
Let's see if we
can find her here.

1049
01:22:16,473 --> 01:22:19,023
<i>With all the names of all</i>
<i>the teachers, except hers.</i>

1050
01:22:19,073 --> 01:22:20,743
But you see, here is she is.

1051
01:22:20,793 --> 01:22:22,663
Ah, look.
It’s the same photo.

1052
01:22:22,713 --> 01:22:23,823
There she is.

1053
01:22:23,873 --> 01:22:27,033
Garro, Scuderi, San Miguel...

1054
01:22:27,793 --> 01:22:29,353
<i>I have a hypothesis.</i>

1055
01:22:29,633 --> 01:22:31,663
- Teresa Trotta…
- Yes.

1056
01:22:31,713 --> 01:22:32,703
Piaggio...

1057
01:22:32,753 --> 01:22:34,623
<i>If they all have a name except one…</i>

1058
01:22:34,673 --> 01:22:35,713
And this one?

1059
01:22:37,233 --> 01:22:38,393
<i>Is Carmen Zuna.</i>

1060
01:22:42,233 --> 01:22:44,033
Carmen Zuna was a teacher.

1061
01:22:44,673 --> 01:22:46,343
- Supply teacher.
- How do you know?

1062
01:22:46,393 --> 01:22:48,863
<i>I checked in all the</i>
<i>registers from '60 to '70.</i>

1063
01:22:48,913 --> 01:22:51,993
<i>Once a month a signature</i>
<i>appears and, beside it: Supply.</i>

1064
01:22:52,273 --> 01:22:53,473
<i>The name never appears.</i>

1065
01:22:54,193 --> 01:22:55,743
<i>I started to ask questions.</i>

1066
01:22:55,793 --> 01:22:57,513
<i>Specifically I asked them about Zuna.</i>

1067
01:22:58,633 --> 01:23:01,313
Do you know a "Carmen Zuna"?

1068
01:23:02,273 --> 01:23:03,703
No...
I don't.

1069
01:23:03,753 --> 01:23:06,433
<i>Mary says "It doesn’t sound familiar."</i>

1070
01:23:07,713 --> 01:23:09,863
<i>I asked her about</i>
<i>the supply teachers at that time.</i>

1071
01:23:09,913 --> 01:23:11,233
<i>She tells me there were several.</i>

1072
01:23:11,633 --> 01:23:14,833
<i>I ask her: where did they come from?</i>

1073
01:23:15,193 --> 01:23:16,143
<i>She says...</i>

1074
01:23:16,193 --> 01:23:18,703
Well, most of them
from La Pampa.

1075
01:23:18,753 --> 01:23:21,033
<i>"Almost all of them</i>
<i>from La Pampa, from Santa Rosa".</i>

1076
01:23:21,513 --> 01:23:23,103
Right, you went to Santa Rosa

1077
01:23:23,153 --> 01:23:27,073
and looked for the records of Zuna as a
supply teacher who came from Santa Rosa

1078
01:23:27,433 --> 01:23:28,623
when a teacher was absent.

1079
01:23:28,673 --> 01:23:30,823
No. I asked Grace,
at the council

1080
01:23:30,873 --> 01:23:32,423
and she looked
for it on the internet.

1081
01:23:32,473 --> 01:23:34,383
- And?
- Carmen Zuna.

1082
01:23:34,433 --> 01:23:36,263
But the photo was
the same as this one?

1083
01:23:36,313 --> 01:23:38,263
No, there wasn’t a photo.
But all the same:

1084
01:23:38,313 --> 01:23:39,673
There was a teacher called Zuna.

1085
01:23:39,953 --> 01:23:41,033
Supply teacher.

1086
01:23:41,393 --> 01:23:43,273
In that photo
everyone has a name.

1087
01:23:43,593 --> 01:23:45,503
There is only one who
doesn't have a name.

1088
01:23:45,553 --> 01:23:47,503
- I think it's clear…
- Yes, it's clear.

1089
01:23:47,553 --> 01:23:49,233
- Carmen Zuna!
- Yes, yes.

1090
01:23:51,033 --> 01:23:54,033
VI
CARMEN ZUNA

1091
01:24:34,153 --> 01:24:35,743
<i>- There's something else.</i>
<i>- What?</i>

1092
01:24:35,793 --> 01:24:39,103
<i>I looked at the records of</i>
<i>students from '65 to '69 at the school.</i>

1093
01:24:39,153 --> 01:24:40,153
<i>And?</i>

1094
01:24:43,553 --> 01:24:45,273
Mario and Marcelo Bertino.

1095
01:24:47,593 --> 01:24:49,793
- She was the sons’ supply teacher.
- Exactly!

1096
01:24:53,553 --> 01:24:55,263
Mario and Marcelo Bertino.

1097
01:24:55,313 --> 01:24:57,593
- Do you have any more photos?
- Yes, keep looking.

1098
01:25:00,633 --> 01:25:01,633
Is this her?

1099
01:25:05,393 --> 01:25:06,393
That's her.

1100
01:25:07,793 --> 01:25:08,793
OK…

1101
01:25:09,633 --> 01:25:11,433
But wait, wait. This gets better.

1102
01:25:12,033 --> 01:25:14,183
I carried on reading
the letters you gave me.

1103
01:25:14,233 --> 01:25:17,583
From the first half of the year,
Bertino is the same as before.

1104
01:25:17,633 --> 01:25:21,503
He's like a kind of lover who
is learning. She is his teacher.

1105
01:25:21,553 --> 01:25:23,103
But at one moment
something happens.

1106
01:25:23,153 --> 01:25:24,153
An event.

1107
01:25:24,473 --> 01:25:26,793
In the letters he starts to sound worried.

1108
01:25:27,793 --> 01:25:29,633
He starts to speak
about someone else.

1109
01:25:29,873 --> 01:25:32,633
He says: "He will be
received like one of us."

1110
01:25:33,953 --> 01:25:34,953
Who is he?

1111
01:25:36,833 --> 01:25:38,503
Is it the gaucho?
From the stud farm?

1112
01:25:38,553 --> 01:25:40,223
At one stage, she leaves.

1113
01:25:40,273 --> 01:25:43,753
He keeps writing letters to her,
completely despairing...

1114
01:25:44,473 --> 01:25:45,993
but she disappears.

1115
01:25:48,313 --> 01:25:49,633
He blames the other one.

1116
01:25:50,073 --> 01:25:51,953
He feels that she
abandoned him for the other.

1117
01:25:53,833 --> 01:25:56,223
But at the same time he can't
speak about the other one with hatred.

1118
01:25:56,273 --> 01:25:58,153
As if he too loved that other one.

1119
01:25:58,713 --> 01:26:01,633
There are three,
and the two of them love Zuna.

1120
01:26:02,633 --> 01:26:03,673
And Carmen...

1121
01:26:04,033 --> 01:26:05,233
Who does she love?

1122
01:26:05,793 --> 01:26:10,353
Time passes. Finally, in the
last letters, Zuna reappears.

1123
01:26:11,273 --> 01:26:12,473
And listen to this:

1124
01:26:13,513 --> 01:26:15,753
He is no longer he.

1125
01:26:16,153 --> 01:26:17,153
He is she.

1126
01:26:17,873 --> 01:26:19,993
The third party is now female.

1127
01:26:21,673 --> 01:26:22,953
That's as far as I've got.

1128
01:26:27,113 --> 01:26:28,713
Can you hold on
while I go to the toilet?

1129
01:28:32,633 --> 01:28:35,833
Clearly, there is an event.
But it is not a lover.

1130
01:28:39,113 --> 01:28:40,553
Look at this photo.

1131
01:28:41,313 --> 01:28:45,753
It is from late '68, a few months
before Carmen disappeared off the map.

1132
01:28:52,273 --> 01:28:53,273
So?

1133
01:28:53,713 --> 01:28:54,873
Her face has changed.

1134
01:28:56,433 --> 01:28:58,473
- Does she look sad?
- Tired, maybe?

1135
01:29:03,033 --> 01:29:04,073
She’s fatter.

1136
01:29:04,513 --> 01:29:05,993
- She’s pregnant.
- A daughter?

1137
01:29:06,353 --> 01:29:07,433
Juana.

1138
01:29:31,233 --> 01:29:32,233
It’s like this…

1139
01:29:32,513 --> 01:29:36,433
The letters from '69
reconstruct all the mystery of '68.

1140
01:29:36,913 --> 01:29:39,503
At some stage in '68, as you read,

1141
01:29:39,553 --> 01:29:41,553
Carmen gets pregnant by Bertino.

1142
01:29:42,473 --> 01:29:46,463
Suppose Bertino receives the news
of the pregnancy while in Italy,

1143
01:29:46,513 --> 01:29:48,313
on a business trip.

1144
01:29:53,073 --> 01:29:55,233
<i>Bertino doesn’t understand,</i>
<i>he doesn’t know what to do.</i>

1145
01:29:56,073 --> 01:29:58,303
<i>At first, he writes things like:</i>

1146
01:29:58,353 --> 01:30:00,383
<i>“I will take care of everything”,</i>
<i>"Don't be afraid",</i>

1147
01:30:00,433 --> 01:30:01,753
<i>"You are not alone."</i>

1148
01:30:03,633 --> 01:30:06,913
<i>Comments of a married man</i>
<i>to his lover in this situation.</i>

1149
01:30:07,713 --> 01:30:09,633
<i>He wants to behave like an adult.</i>

1150
01:30:10,433 --> 01:30:13,073
<i>I guess he found leaving his family</i>
<i>a scandalous thing.</i>

1151
01:30:13,473 --> 01:30:15,543
<i>But an answer from Carmen,</i>

1152
01:30:15,593 --> 01:30:18,113
<i>we don’t know which one is, surprises him.</i>

1153
01:30:18,833 --> 01:30:20,113
<i>Something happens.</i>

1154
01:30:20,473 --> 01:30:21,873
<i>Something changes within him.</i>

1155
01:30:30,793 --> 01:30:32,823
<i>For example, look at</i>
<i>what he writes in this letter:</i>

1156
01:30:32,873 --> 01:30:35,143
<i>“Your answer has given me hope.</i>

1157
01:30:35,193 --> 01:30:39,063
<i>I never thought having a child with me</i>
<i>was a possibility for you,</i>

1158
01:30:39,113 --> 01:30:42,913
<i>in the same way a Goddess doesn’t</i>
<i>have a child with a simple mortal.”</i>

1159
01:30:43,433 --> 01:30:45,103
<i>That’s the sort of things he writes.</i>

1160
01:30:45,153 --> 01:30:47,543
<i>He’s out of control.</i>
<i>In love as he has never been before.</i>

1161
01:30:47,593 --> 01:30:51,263
<i>And he refers to that child as a miracle,</i>
<i>a present form destiny.</i>

1162
01:30:51,313 --> 01:30:52,953
<i>That kind of cliché.</i>

1163
01:30:53,673 --> 01:30:55,873
<i>And that’s where the problem begins:</i>

1164
01:30:58,673 --> 01:31:00,713
<i>Carmen's letters stop arriving.</i>

1165
01:31:20,513 --> 01:31:23,033
<i>Nevertheless, Bertino</i>
<i>keeps writing to her.</i>

1166
01:31:33,353 --> 01:31:36,153
<i>He keeps the ritual going...</i>

1167
01:31:36,993 --> 01:31:38,433
<i>a little resigned.</i>

1168
01:31:51,433 --> 01:31:55,073
<i>For long months, apparently,</i>
<i>Carmen doesn’t reply.</i>

1169
01:31:59,433 --> 01:32:01,393
<i>Nothing, not a single letter,</i>
<i>not a single word.</i>

1170
01:32:04,913 --> 01:32:07,393
<i>Bertino suffers, fears, waits.</i>

1171
01:32:23,073 --> 01:32:26,073
<i>Finally Carmen’s</i>
<i>long-awaited letter arrives.</i>

1172
01:32:47,073 --> 01:32:51,073
<i>And what can be read in that letter</i>
<i>is even more disturbing for Bertino.</i>

1173
01:32:51,433 --> 01:32:54,273
<i>Once again, Carmen doesn’t</i>
<i>behave as he expects.</i>

1174
01:32:55,713 --> 01:32:56,873
<i>Something is off.</i>

1175
01:32:58,033 --> 01:32:59,673
<i>Carmen announces she’s leaving.</i>

1176
01:33:00,193 --> 01:33:01,313
<i>Where? I don’t know.</i>

1177
01:33:01,913 --> 01:33:03,423
<i>And Bertino doesn’t know either.</i>

1178
01:33:03,473 --> 01:33:06,463
<i>Carmen simply tells</i>
<i>him that: I’m leaving.</i>

1179
01:33:06,513 --> 01:33:09,833
What I understand is
that Carmen starts to walk…

1180
01:33:10,753 --> 01:33:11,823
What do you mean to walk?

1181
01:33:11,873 --> 01:33:13,553
<i>To walk across the fields…</i>

1182
01:33:16,713 --> 01:33:18,543
<i>How do you know she starts</i>
<i>to walk across the fields?</i>

1183
01:33:18,593 --> 01:33:19,593
<i>How could you know that?</i>

1184
01:33:21,033 --> 01:33:22,553
<i>He says he doesn’t know where she is.</i>

1185
01:33:22,953 --> 01:33:25,193
<i>He wants to find out,</i>
<i>but in the end he gives up.</i>

1186
01:33:25,713 --> 01:33:27,273
<i>He tells her:</i>

1187
01:33:27,873 --> 01:33:31,033
<i>“After days of</i>
<i>trying to find out where you are,</i>

1188
01:33:31,433 --> 01:33:33,673
<i>I’ve realized you are nowhere.</i>

1189
01:33:33,913 --> 01:33:36,273
<i>Or rather: you are everywhere.”</i>

1190
01:33:45,073 --> 01:33:46,073
<i>I don't buy it.</i>

1191
01:33:46,673 --> 01:33:50,153
<i>Wait! She starts walking.</i>
<i>There are more clues.</i>

1192
01:33:50,673 --> 01:33:51,713
<i>Which clues?</i>

1193
01:33:53,073 --> 01:33:54,153
<i>Look at these letters.</i>

1194
01:33:54,513 --> 01:33:55,823
<i>If you follow what he says</i>

1195
01:33:55,873 --> 01:33:59,473
<i>it is as if she has become</i>
<i>a wild creature, almost an animal.</i>

1196
01:33:59,993 --> 01:34:01,383
<i>He writes things like:</i>

1197
01:34:01,433 --> 01:34:04,223
<i>“Pilgrim of the pampas”,</i>
<i>“lonesome explorer”,</i>

1198
01:34:04,273 --> 01:34:06,753
<i>“adventurer”.</i>
<i>Even "vagabond" …</i>

1199
01:34:07,633 --> 01:34:09,473
<i>Carmen, a vagabond...</i>

1200
01:34:10,393 --> 01:34:12,433
<i>- He writes "vagabond"?</i>
<i>- Many times.</i>

1201
01:34:23,313 --> 01:34:25,153
<i>OK. Let’s picture this.</i>

1202
01:34:25,593 --> 01:34:29,473
<i>Carmen walks the province of Buenos Aires</i>
<i>for months, as her belly grows.</i>

1203
01:34:30,753 --> 01:34:32,193
<i>It’s as if he’s seeing her:</i>

1204
01:34:33,233 --> 01:34:34,943
<i>walking along dirt roads,</i>

1205
01:34:34,993 --> 01:34:37,503
<i>walking into a farm every once</i>
<i>in a while, to ask for food.</i>

1206
01:34:37,553 --> 01:34:38,793
<i>Alone, somewhat lost.</i>

1207
01:34:39,713 --> 01:34:41,753
<i>But at the same time</i>
<i>determined not to turn back.</i>

1208
01:34:42,433 --> 01:34:43,433
<i>And Bertino?</i>

1209
01:34:44,153 --> 01:34:45,953
<i>Bertino meanwhile is in Italy.</i>

1210
01:34:46,913 --> 01:34:48,793
<i>All his letters are stamped there:</i>

1211
01:34:49,073 --> 01:34:51,473
<i>from a remote village</i>
<i>where he takes refuge.</i>

1212
01:34:51,913 --> 01:34:52,913
<i>And there he stays.</i>

1213
01:34:55,113 --> 01:34:56,433
<i>Bertino waits for her.</i>

1214
01:34:57,033 --> 01:34:58,553
<i>He knows about the pregnancy.</i>

1215
01:34:59,153 --> 01:35:02,593
<i>That pregnancy is what Bertino</i>
<i>tries to imagine in his letters.</i>

1216
01:35:03,553 --> 01:35:04,553
<i>Where is she?</i>

1217
01:35:05,153 --> 01:35:06,153
<i>Where is she going?</i>

1218
01:35:06,873 --> 01:35:07,953
<i>Is she okay?</i>

1219
01:35:08,673 --> 01:35:09,993
<i>Does she know what she’s doing?</i>

1220
01:35:10,673 --> 01:35:11,993
<i>Or has she gone crazy?</i>

1221
01:35:12,833 --> 01:35:14,153
<i>What is she worried about?</i>

1222
01:35:15,113 --> 01:35:16,433
<i>Is she worried about something?</i>

1223
01:35:18,073 --> 01:35:19,073
<i>Will she return?</i>

1224
01:35:23,113 --> 01:35:26,143
<i>At that time he thought</i>
<i>it was going to be a boy.</i>

1225
01:35:26,193 --> 01:35:27,343
<i>Look, he writes:</i>

1226
01:35:27,393 --> 01:35:29,753
<i>"He will be received like one of us".</i>

1227
01:35:31,313 --> 01:35:33,463
<i>He confirms to her that</i>
<i>he will be there with her...</i>

1228
01:35:33,513 --> 01:35:34,943
<i>to look after him.</i>

1229
01:35:34,993 --> 01:35:36,713
<i>But it doesn’t seem to be enough.</i>

1230
01:35:37,753 --> 01:35:39,593
<i>Something in Carmen has changed.</i>

1231
01:35:40,193 --> 01:35:41,313
<i>Something’s happened to her.</i>

1232
01:35:46,553 --> 01:35:47,793
<i>He fears for her.</i>

1233
01:35:48,153 --> 01:35:50,153
<i>He is afraid that she is lost.</i>

1234
01:35:50,553 --> 01:35:52,783
<i>Carmen replies only sporadically.</i>

1235
01:35:52,833 --> 01:35:58,033
<i>And, from what Bertino says in his</i>
<i>letters, her notes are erratic and bitter.</i>

1236
01:36:01,193 --> 01:36:02,633
<i>But Carmen is all right.</i>

1237
01:36:02,993 --> 01:36:04,673
<i>She is better than ever.</i>

1238
01:36:04,913 --> 01:36:08,873
<i>She has found on that walk something</i>
<i>that she had always looked for…</i>

1239
01:36:16,073 --> 01:36:18,633
<i>For some reason, she cannot stop walking.</i>

1240
01:36:19,353 --> 01:36:22,433
<i>She crosses the whole province</i>
<i>and does not tire.</i>

1241
01:36:24,073 --> 01:36:26,673
<i>She walks so much,</i>
<i>she even reaches the sea.</i>

1242
01:36:28,353 --> 01:36:29,833
<i>And there she stays, waiting.</i>

1243
01:36:59,193 --> 01:37:03,113
<i>Let's suppose that some time later,</i>
<i>at some seaside town,</i>

1244
01:37:03,993 --> 01:37:05,673
<i>the baby girl is born.</i>

1245
01:37:32,193 --> 01:37:33,193
Thanks.

1246
01:37:43,153 --> 01:37:46,353
"My answer is Juana" is the answer
to why she gives up the life with him.

1247
01:37:49,873 --> 01:37:52,753
<i>That life full of love and adventures.</i>

1248
01:37:53,313 --> 01:37:55,073
<i>That life is no longer possible.</i>

1249
01:37:56,273 --> 01:37:58,713
<i>And there is no way</i>
<i>they can be the same again...</i>

1250
01:37:59,633 --> 01:38:01,233
<i>love each other equally.</i>

1251
01:38:09,473 --> 01:38:13,033
<i>The letters from Paolo from that period</i>
<i>are the letters of a sad man.</i>

1252
01:38:13,753 --> 01:38:14,873
<i>He misses her.</i>

1253
01:38:25,073 --> 01:38:27,033
<i>He thinks about her all the time.</i>

1254
01:38:27,633 --> 01:38:30,233
<i>He travels here and there,</i>
<i>like a lonely shadow.</i>

1255
01:38:30,913 --> 01:38:32,783
<i>He thinks about her,</i>
<i>as he travels around Italy</i>

1256
01:38:32,833 --> 01:38:34,273
<i>as if trying to find something.</i>

1257
01:38:35,553 --> 01:38:37,633
<i>As if he were trying to replace her.</i>

1258
01:38:47,793 --> 01:38:50,113
<i>And this is were a new mystery appears.</i>
<i>Listen...</i>

1259
01:38:50,433 --> 01:38:52,113
<i>At some stage,</i>
<i>I don’t know how,</i>

1260
01:38:52,473 --> 01:38:55,473
<i>Juana appears in Italy,</i>
<i>living with her father, with Bertino.</i>

1261
01:38:58,033 --> 01:39:01,633
<i>"We continue to wait for you here, Carmen.</i>
<i>Always in the same place,"</i>

1262
01:39:01,873 --> 01:39:03,993
<i>he tells her in one of his last letters.</i>

1263
01:39:05,113 --> 01:39:06,223
<i>How does she get there?</i>

1264
01:39:06,273 --> 01:39:09,393
<i>How is it that Carmen lets the girl go?</i>
<i>Does she abandon her?</i>

1265
01:39:09,833 --> 01:39:11,713
<i>Do Carmen and Bertino meet again?</i>

1266
01:39:11,953 --> 01:39:14,633
<i>If they don’t, how does the girl</i>
<i>travel to Italy?</i>

1267
01:39:15,433 --> 01:39:17,593
<i>Here we are at the</i>
<i>very heart of the enigma.</i>

1268
01:39:20,393 --> 01:39:24,153
<i>The great mystery of the love story</i>
<i>between Bertino and Carmen Zuna…</i>

1269
01:39:26,473 --> 01:39:27,473
<i>Juana.</i>

1270
01:39:28,193 --> 01:39:31,433
<i>- "The answer is Juana."</i>
<i>- The question is Juana.</i>

1271
01:39:55,233 --> 01:39:56,633
<i>The girl grows up.</i>

1272
01:39:57,153 --> 01:39:58,623
<i>He raises her on his own.</i>

1273
01:39:58,673 --> 01:40:00,623
<i>She is the only thing that</i>
<i>keeps him close to her.</i>

1274
01:40:00,673 --> 01:40:04,113
<i>The only guarantee that</i>
<i>Carmen might return one day.</i>

1275
01:40:31,673 --> 01:40:33,593
<i>And then what happens?</i>

1276
01:40:34,673 --> 01:40:35,713
<i>I don't know.</i>

1277
01:40:38,553 --> 01:40:41,593
All we know is that at
some point he returns...

1278
01:40:41,953 --> 01:40:46,313
and almost like a ceremony, like a ritual,
he leaves the letters in the same place.

1279
01:40:47,033 --> 01:40:48,703
He knows that she will not return...

1280
01:40:48,753 --> 01:40:50,553
but he prefers that
the letters are there:

1281
01:40:51,433 --> 01:40:53,353
in the same place where I found them.

1282
01:40:54,793 --> 01:40:56,273
He writes letters to nobody?

1283
01:40:57,033 --> 01:40:58,193
Something like that.

1284
01:40:59,313 --> 01:41:02,353
Bertino talks about her as if
she has got lost on the roads.

1285
01:41:03,713 --> 01:41:05,393
He accepts that
she will not return.

1286
01:41:06,113 --> 01:41:07,593
Did Carmen go crazy?

1287
01:41:08,593 --> 01:41:10,673
Or is it he who went crazy?

1288
01:41:11,393 --> 01:41:14,393
Imagining her as a kind
of legendary character?

1289
01:41:15,993 --> 01:41:17,833
That is something
we will never know.

1290
01:41:19,593 --> 01:41:22,113
What we do know is that they
did not see each other again.

1291
01:41:22,553 --> 01:41:24,633
And he never stops
thinking about her.

1292
01:41:25,473 --> 01:41:26,473
His life is her.

1293
01:41:27,593 --> 01:41:29,993
And he thinks about the
years they spent together...

1294
01:41:30,473 --> 01:41:33,953
as the only moment
when his life made sense.

1295
01:43:24,793 --> 01:43:25,743
VII
RAFAEL'S PART

1296
01:43:25,793 --> 01:43:27,983
<i>...Rome is one of the most</i>
<i>beautiful cities in the world, right?</i>

1297
01:43:28,033 --> 01:43:30,383
<i>- You had already gone.</i>
<i>- No, we hadn't Juliana...</i>

1298
01:43:30,433 --> 01:43:33,623
<i>And we loved it.</i>
<i>It was like a dream to us.</i>

1299
01:43:33,673 --> 01:43:35,903
<i>When I was a boy</i>
<i>they spoke to me a lot in Italian,</i>

1300
01:43:35,953 --> 01:43:37,383
<i>because my family was Italian.</i>

1301
01:43:37,433 --> 01:43:40,463
<i>So I was able to communicate.</i>
<i>I was able to be in contact, let's say...</i>

1302
01:43:40,513 --> 01:43:43,193
What do you want me to say?
I can't explain it either, Clarita.

1303
01:43:45,313 --> 01:43:46,353
I don't know.

1304
01:43:46,593 --> 01:43:49,553
No, no. Rude.
Chip on his shoulder.

1305
01:43:51,833 --> 01:43:54,383
No, whatever you like,
but you just don’t do that.

1306
01:43:54,433 --> 01:43:57,153
You don’t leave someone
stranded in Piedritas...

1307
01:43:57,673 --> 01:43:59,353
You just don’t do that.

1308
01:44:00,233 --> 01:44:01,233
No, no!

1309
01:44:04,153 --> 01:44:05,273
That’s right.

1310
01:44:06,153 --> 01:44:07,273
He hates me.

1311
01:44:09,713 --> 01:44:10,753
I said: he hates me.

1312
01:44:12,153 --> 01:44:13,193
He hates me!

1313
01:44:14,193 --> 01:44:17,663
Nothing, nothing.
Don’t worry, Clarita.

1314
01:44:17,713 --> 01:44:19,233
I’ll call you when I arrive.

1315
01:44:20,753 --> 01:44:23,553
See if you can arrange
that ticket for me.

1316
01:44:26,433 --> 01:44:27,473
I said check…

1317
01:44:28,553 --> 01:44:29,553
The ticket…

1318
01:44:31,233 --> 01:44:32,233
I said…

1319
01:44:33,353 --> 01:44:34,393
I said check…

1320
01:44:34,673 --> 01:44:36,113
Nothing...

1321
01:44:36,873 --> 01:44:37,863
Bye.

1322
01:44:37,913 --> 01:44:39,113
Bye. Bye. Yes.

1323
01:44:39,913 --> 01:44:44,513
<i>Let's go to a commercial break and</i>
<i>we'll be right back with "A Sea of News".</i>

1324
01:44:45,313 --> 01:44:46,993
<i>Radio is a blind media...</i>

1325
01:44:47,313 --> 01:44:48,833
<i>Until you watch with your ears...</i>

1326
01:44:49,113 --> 01:44:51,113
<i>The Station Broadcast.</i>
<i>Unique.</i>

1327
01:44:51,673 --> 01:44:52,673
<i>Just like you.</i>

1328
01:46:37,353 --> 01:46:39,313
Hello.
How can I help you?

1329
01:46:39,553 --> 01:46:41,423
Hello, yes.
Norma?

1330
01:46:41,473 --> 01:46:42,473
Normita…

1331
01:46:43,393 --> 01:46:45,473
Ah, how are you?
I’m Rafael.

1332
01:46:46,753 --> 01:46:47,753
Rafael?

1333
01:46:49,153 --> 01:46:52,113
I'm the person who you
arranged Laura’s transfer with.

1334
01:46:53,673 --> 01:46:55,073
Laura?

1335
01:46:55,953 --> 01:46:56,953
She's...

1336
01:46:59,713 --> 01:47:00,783
Laura?

1337
01:47:00,833 --> 01:47:04,793
Ah! Laura!
Of course! Laura!

1338
01:47:05,513 --> 01:47:08,223
Sorry…
Sit down, I'm a bit disoriented…

1339
01:47:08,273 --> 01:47:10,263
wrestling with this
wrapping paper

1340
01:47:10,313 --> 01:47:12,273
to wrap this for my godson.

1341
01:47:13,833 --> 01:47:17,433
Rafael! We know each
other well but by email!

1342
01:47:17,993 --> 01:47:20,433
Yes. But not in person...

1343
01:47:20,753 --> 01:47:23,263
You received the project completed
and signed by me, didn't you?

1344
01:47:23,313 --> 01:47:24,303
Perfect, yes.

1345
01:47:24,353 --> 01:47:26,303
Would you like anything,
a coffee or something?

1346
01:47:26,353 --> 01:47:28,223
No, thank you. I'm fine.

1347
01:47:28,273 --> 01:47:29,863
And what brings you here?

1348
01:47:29,913 --> 01:47:32,473
- Here we are…
- Is something the matter?

1349
01:47:32,993 --> 01:47:34,233
No, no...

1350
01:47:34,913 --> 01:47:36,073
Truth is...

1351
01:47:36,433 --> 01:47:38,823
I just wanted to come in person,
to see to some matters that

1352
01:47:38,873 --> 01:47:40,673
Laura kind of left in a mess.

1353
01:47:42,913 --> 01:47:45,393
- You're her partner, aren’t you?
- Exactly.

1354
01:47:46,353 --> 01:47:47,593
You're getting married.

1355
01:47:50,073 --> 01:47:51,503
We're moving in together.

1356
01:47:51,553 --> 01:47:54,183
Right, that’s right.
Well, it’s the same…

1357
01:47:54,233 --> 01:47:55,473
Yes, it’s the same.

1358
01:47:57,913 --> 01:48:01,393
- Sure you don’t want coffee, nothing?
- No, no. Thank you.

1359
01:48:06,553 --> 01:48:10,473
Actually I wanted to ask you if you
remember the last time you saw Laura.

1360
01:48:10,993 --> 01:48:12,703
Laura?
Has something happened to her?

1361
01:48:12,753 --> 01:48:13,753
No.

1362
01:48:14,193 --> 01:48:15,193
Not at all.

1363
01:48:15,873 --> 01:48:16,873
Thing is...

1364
01:48:17,353 --> 01:48:18,943
She went on holiday and after a while

1365
01:48:18,993 --> 01:48:20,953
I didn't hear from her, but it's nothing…

1366
01:48:25,153 --> 01:48:26,153
That's odd.

1367
01:48:26,993 --> 01:48:31,023
She came to the council to finish
her job. She signed everything.

1368
01:48:31,073 --> 01:48:32,743
Did she complete everything all right?

1369
01:48:32,793 --> 01:48:35,623
Yes, fine. She did an
excellent job. Great.

1370
01:48:35,673 --> 01:48:37,273
The team adored her.

1371
01:48:37,713 --> 01:48:40,223
But I think she was missing
something, she said to me…

1372
01:48:40,273 --> 01:48:42,463
She finished everything
and I speeded things up

1373
01:48:42,513 --> 01:48:44,823
so that they could advance
with the university position.

1374
01:48:44,873 --> 01:48:47,113
Right. I'm very grateful to you...

1375
01:48:47,913 --> 01:48:50,383
I don't know.
She surveyed one last field

1376
01:48:50,433 --> 01:48:52,783
and she told me that she would
take care of the remaining one

1377
01:48:52,833 --> 01:48:54,513
and that in any case
she would come back.

1378
01:48:55,193 --> 01:48:58,423
I don't exactly remember
what we agreed.

1379
01:48:58,473 --> 01:48:59,473
Right...

1380
01:49:00,433 --> 01:49:02,153
- The unclassified specimen.
- Sorry?

1381
01:49:03,513 --> 01:49:05,223
The unclassified specimen,
the remaining one.

1382
01:49:05,273 --> 01:49:06,793
Ah, yes. A pending one.

1383
01:49:07,033 --> 01:49:08,503
The pending one.

1384
01:49:08,553 --> 01:49:10,313
That’s what it says on the file.

1385
01:49:10,753 --> 01:49:12,623
Yes, but that’s just bureaucracy.

1386
01:49:12,673 --> 01:49:14,423
"The" pending one,
"the" remaining one...

1387
01:49:14,473 --> 01:49:15,473
Right.

1388
01:49:17,393 --> 01:49:19,633
You don't remember how
long she stayed in the hotel?

1389
01:49:23,873 --> 01:49:26,743
This is very strange...
Have you been jilted?

1390
01:49:26,793 --> 01:49:28,383
Did she go off with a local man?

1391
01:49:28,433 --> 01:49:30,113
No, no, not at all.

1392
01:49:30,713 --> 01:49:33,423
I have to take precise
information for the department

1393
01:49:33,473 --> 01:49:37,113
and now Laura doesn't…
A load of things.

1394
01:49:41,273 --> 01:49:42,513
How strange!

1395
01:49:50,033 --> 01:49:51,193
She has a ticket.

1396
01:49:51,833 --> 01:49:53,143
- Who?
- Laura.

1397
01:49:53,193 --> 01:49:55,393
She bought a ticket…

1398
01:49:56,633 --> 01:49:57,673
For Monday.

1399
01:50:00,553 --> 01:50:01,783
And how do you know?

1400
01:50:01,833 --> 01:50:03,513
Because I'm her boss.

1401
01:50:04,073 --> 01:50:05,703
She's going to come back.
Don't worry.

1402
01:50:05,753 --> 01:50:07,633
No, yeah. I know she's
going to come back.

1403
01:50:11,473 --> 01:50:13,073
Have you fallen out?

1404
01:50:17,353 --> 01:50:18,353
No…

1405
01:50:20,953 --> 01:50:24,233
Now that I think about it, maybe there
was a small misunderstanding, but...

1406
01:50:29,593 --> 01:50:31,433
I think I will have a tea now.

1407
01:50:41,953 --> 01:50:42,953
Look...

1408
01:50:44,913 --> 01:50:47,633
No, I know what you're
going to say, but it isn't that.

1409
01:50:49,673 --> 01:50:51,703
Laura doesn't do things like that.

1410
01:50:51,753 --> 01:50:53,513
She hasn't left me for someone else.

1411
01:50:56,313 --> 01:50:58,433
So wait for her, she'll be back.

1412
01:51:26,273 --> 01:51:27,273
Thanks.

1413
01:51:40,353 --> 01:51:42,793
What I wanted to tell
you is something else...

1414
01:51:47,153 --> 01:51:49,463
Laura did a very good job…

1415
01:51:49,513 --> 01:51:50,623
I know…

1416
01:51:50,673 --> 01:51:52,993
But at the end she went off the tracks.

1417
01:51:59,553 --> 01:52:00,793
She went off the tracks?

1418
01:52:03,273 --> 01:52:05,073
Yes. Maybe it’s nothing but...

1419
01:52:05,313 --> 01:52:07,753
she forgot to pay for
some things in the hotel…

1420
01:52:09,313 --> 01:52:10,793
A bit irresponsible.

1421
01:52:11,873 --> 01:52:13,233
Sloppy, you know.

1422
01:52:14,393 --> 01:52:16,903
A lot of minibar, a
lot of room service…

1423
01:52:16,953 --> 01:52:20,113
And she didn’t even say, if
she’d told us we’d have fixed it…

1424
01:52:20,353 --> 01:52:21,353
Of course.

1425
01:52:23,873 --> 01:52:26,583
Needless to say I can take care of that.

1426
01:52:26,633 --> 01:52:28,913
And I apologise on behalf
of the whole department.

1427
01:52:30,273 --> 01:52:32,783
She became an unfriendly
character, you know?

1428
01:52:32,833 --> 01:52:35,953
So she had to leave Trenque...

1429
01:52:36,233 --> 01:52:38,983
and I don't know why but she
decided to stay a few more days

1430
01:52:39,033 --> 01:52:41,023
but the council couldn't
keep paying for the hotel

1431
01:52:41,073 --> 01:52:42,713
because her contract
had already ended.

1432
01:52:43,433 --> 01:52:45,353
So, being so friendly...

1433
01:52:46,393 --> 01:52:48,953
I offered her a room that
my grandmother rents out.

1434
01:52:49,793 --> 01:52:51,823
And not only did she not pay her...

1435
01:52:51,873 --> 01:52:53,863
but she didn't even leave
her a box of chocolates.

1436
01:52:53,913 --> 01:52:55,833
My grandmother is retired, you know.

1437
01:52:59,753 --> 01:53:01,273
Well, once again...

1438
01:53:01,673 --> 01:53:04,673
I'll be sure to get a good
gift for your grandmother.

1439
01:53:10,353 --> 01:53:13,783
She took a pair of wellies of
mine as well, and a raincoat…

1440
01:53:13,833 --> 01:53:14,833
A Perramus.

1441
01:53:16,673 --> 01:53:20,593
I'd like to offer to pay
for that as well, Norma.

1442
01:53:25,073 --> 01:53:28,383
She became quite rebellious.

1443
01:53:28,433 --> 01:53:31,543
She left the room in a mess.
We had to call someone to clean it...

1444
01:53:31,593 --> 01:53:35,033
And she had set up a kind
of dirty and smelly habitat…

1445
01:53:45,033 --> 01:53:46,113
What about her things?

1446
01:53:47,553 --> 01:53:48,823
No, she took them, I suppose.

1447
01:53:48,873 --> 01:53:50,393
And the rest was returned.

1448
01:53:51,153 --> 01:53:52,303
What do you mean returned?

1449
01:53:52,353 --> 01:53:54,343
To the library.
She went to the library a lot

1450
01:53:54,393 --> 01:53:56,433
because she had a radio
programme, you see?

1451
01:53:57,633 --> 01:53:58,713
Yes, yes…

1452
01:53:59,473 --> 01:54:01,863
And there were maps
and things of the council…

1453
01:54:01,913 --> 01:54:03,513
But all that was returned as well.

1454
01:54:04,953 --> 01:54:06,743
Right, you returned it.

1455
01:54:06,793 --> 01:54:08,153
No, Chicho returned it.

1456
01:54:08,913 --> 01:54:11,153
- Who’s Chicho?
- Chicho, the transport guy...

1457
01:54:14,153 --> 01:54:15,513
Ah, yes… Chicho.

1458
01:54:16,513 --> 01:54:18,313
Yes, I know who you mean.

1459
01:54:22,993 --> 01:54:25,833
I'm going to have to get going
because my coach is leaving.

1460
01:54:26,873 --> 01:54:27,983
You're leaving already?

1461
01:54:28,033 --> 01:54:29,583
Yes, I didn't even bring any clothes.

1462
01:54:29,633 --> 01:54:31,553
I came for the day and ended up staying.

1463
01:54:32,273 --> 01:54:34,103
OK, but you’ll be back.

1464
01:54:34,153 --> 01:54:36,193
Sure. Yes, sure.

1465
01:54:37,793 --> 01:54:40,103
Besides, if Laura doesn't
come back in a couple of days

1466
01:54:40,153 --> 01:54:41,783
maybe I'll start
to get worried...

1467
01:54:41,833 --> 01:54:43,183
I don’t think so.
She’ll be back.

1468
01:54:43,233 --> 01:54:45,073
Yes, of course
she’s coming back.

1469
01:54:49,233 --> 01:54:50,833
Shall I take you to the bus station?

1470
01:54:51,233 --> 01:54:54,303
I’m at a loose end. And I’ll
drop off this gift for my nephew.

1471
01:54:54,353 --> 01:54:57,393
Go on, go on.
Go on, that's handy.

1472
01:54:58,553 --> 01:55:00,233
- Can I help you with that?
- OK.

1473
01:55:03,073 --> 01:55:04,993
You already know the town hall…

1474
01:55:06,153 --> 01:55:08,073
It’s a monstrosity…

1475
01:55:10,473 --> 01:55:12,793
This is where Lau started working.

1476
01:55:23,313 --> 01:55:26,313
And this is the main street…
Villegas.

1477
01:55:29,793 --> 01:55:31,183
You see how it’s a boulevard?

1478
01:55:31,233 --> 01:55:33,673
Well, all the streets in Trenque
are boulevards.

1479
01:55:38,633 --> 01:55:41,793
This was “the” bar for Laura.

1480
01:55:43,153 --> 01:55:44,273
This is Kalos.

1481
01:55:46,153 --> 01:55:48,713
She came here a lot.
She spent her time here.

1482
01:55:50,993 --> 01:55:52,673
I guess she used it as her office…

1483
01:55:53,353 --> 01:55:54,353
Right.

1484
01:55:57,073 --> 01:55:59,913
This is where Laura moved to
when she left the hotel…

1485
01:56:00,473 --> 01:56:01,473
Right.

1486
01:56:02,193 --> 01:56:03,953
This is my grandma Telma’s house.

1487
01:56:05,393 --> 01:56:06,953
The one with the bench.

1488
01:56:13,673 --> 01:56:17,833
As I said, that’s where she left
all her things.

1489
01:56:38,873 --> 01:56:39,913
Looks like a UFO.

1490
01:56:40,833 --> 01:56:41,833
Yes…

1491
01:56:44,833 --> 01:56:46,153
A flying saucer.

1492
01:56:50,273 --> 01:56:51,553
More boulevards…

1493
01:56:52,913 --> 01:56:54,273
All boulevards.

1494
01:57:10,153 --> 01:57:11,513
This is the lake.

1495
01:57:13,593 --> 01:57:15,793
Trenque Lauquen means "round lake."

1496
01:57:24,873 --> 01:57:26,873
You see that room with the blind up?

1497
01:57:29,593 --> 01:57:33,553
Laura stayed there for the first six
months that she was working in Trenque.

1498
01:57:55,273 --> 01:57:57,473
Your coach to Buenos Aires is here.

1499
01:58:43,073 --> 01:58:45,793
Give her time, Rafa.
Maybe she's confused.

1500
01:58:46,113 --> 01:58:47,263
Yes.

1501
01:58:47,313 --> 01:58:49,913
Maybe I'll get home and
she'll be waiting for me there.

1502
01:58:50,673 --> 01:58:54,663
It goes without saying that I can
sign the completion of the project...

1503
01:58:54,713 --> 01:58:56,993
take responsibility
for the remaining one.

1504
01:58:57,433 --> 01:59:01,023
I don't know, I can also send someone
to finish this business next week...

1505
01:59:01,073 --> 01:59:02,503
so it isn't left half done.

1506
01:59:02,553 --> 01:59:04,903
No, don't worry, Rafael, thank you.

1507
01:59:04,953 --> 01:59:06,583
Besides, the project is on hold

1508
01:59:06,633 --> 01:59:08,863
and we won't get another
allocation of money for it.

1509
01:59:08,913 --> 01:59:10,433
No, of course, yes.

1510
01:59:10,913 --> 01:59:12,303
This has been a tough year.

1511
01:59:12,353 --> 01:59:15,703
All the budget cuts went to health
when the monkey thing happened.

1512
01:59:15,753 --> 01:59:18,663
And now with the elections
and the re-election of Pérez Fox

1513
01:59:18,713 --> 01:59:22,433
you can't sell a project to classify
local flowers to anybody.

1514
01:59:22,913 --> 01:59:23,913
Not a soul…

1515
01:59:24,553 --> 01:59:25,913
What’s the monkey thing?

1516
01:59:26,273 --> 01:59:28,873
The monkey thing…
Well, I call it the monkey thing.

1517
01:59:29,673 --> 01:59:31,783
Didn't you read the news about an
apparition on the lake,

1518
01:59:31,833 --> 01:59:33,433
a while back?

1519
01:59:34,073 --> 01:59:35,983
No, no. I'm not aware of it.

1520
01:59:36,033 --> 01:59:39,663
This thing appeared and we don't
know what it was, on the lake in the park…

1521
01:59:39,713 --> 01:59:41,583
there were thousands of theories.

1522
01:59:41,633 --> 01:59:43,823
The whole business with
a doctor from here

1523
01:59:43,873 --> 01:59:46,063
who was kind of controversial
who took it to her house…

1524
01:59:46,113 --> 01:59:47,583
Madness.

1525
01:59:47,633 --> 01:59:49,793
- And what happened?
- Nothing…

1526
01:59:50,073 --> 01:59:51,263
It died down in the end.

1527
01:59:51,313 --> 01:59:53,063
It was a big fuss until it got out

1528
01:59:53,113 --> 01:59:55,063
That it was a fairly normal animal.

1529
01:59:55,113 --> 01:59:56,703
An alligator or something.

1530
01:59:56,753 --> 01:59:58,673
An alligator?
Alligators here?

1531
01:59:59,153 --> 02:00:00,993
It was a scandal.

1532
02:00:01,393 --> 02:00:04,063
There was this whole
science fiction story...

1533
02:00:04,113 --> 02:00:07,793
and then they said it
was all a trick, a screen.

1534
02:00:08,073 --> 02:00:09,143
A trick?

1535
02:00:09,193 --> 02:00:11,743
Yes. To keep people
entertained and scared

1536
02:00:11,793 --> 02:00:15,063
while the lake was taken
over in a privatisation project.

1537
02:00:15,113 --> 02:00:16,713
An artificial beach.

1538
02:00:17,993 --> 02:00:19,583
An artificial beach
in Trenque Lauquen...

1539
02:00:19,633 --> 02:00:21,393
- With artificial waves.
- No...

1540
02:00:22,753 --> 02:00:24,753
Nothing new, Pérez Fox’s idea.

1541
02:00:31,393 --> 02:00:32,743
It’s leaving now.

1542
02:00:32,793 --> 02:00:34,423
Well, nice to meet you.

1543
02:00:34,473 --> 02:00:36,073
Likewise. Yes…

1544
02:00:36,513 --> 02:00:38,433
Keep me updated and let me know.

1545
02:00:38,873 --> 02:00:41,423
If you come I’ll book you
a hotel through the council.

1546
02:00:41,473 --> 02:00:43,393
Ah, OK.
Sure, sure, of course.

1547
02:00:44,713 --> 02:00:45,713
Well...

1548
02:00:47,153 --> 02:00:49,273
- Very nice to meet you.
- Likewise.

1549
02:00:52,433 --> 02:00:53,503
- Bye.
- Bye.

1550
02:00:53,553 --> 02:00:54,553
Thank you.

1551
02:00:54,993 --> 02:00:55,993
Good journey!




